We’ve seen quite a lot of the Motorclassica show already, from the cars driving to the show, outdoor club displays and the special classes, now here are some of the other cars that I just couldn’t pass up. The first car that met this criteria was this 1960 FB model Holden Station Sedan, which was their slightly-archaic name for a wagon at the time. On debut it won the best restored car prize at a major All-Holden show 9 years ago, which is a strong statement of its quality.
This car sat in a shed for 25 years before its restoration, having gone in there at 12 years old. This car has the 138 ci ‘grey’ 6-cylinder and 3-speed column shift manual transmission, which was the only option at the time. At this time the Holden had roughly 50% of the local car market, and built a record 140,336 cars in 1960, so while volumes were decent the level of serious competition had only just begun with the Falcon and Valiant. There were heaps of nice touches on this car, such as a period radio station sticker on the back window.
This is a 1956 Chrysler 300B – what a beauty. It is a great example of the increasingly gadget-heavy cars of the 1950s, plus of course the push-button automatic transmission controls that debuted in 1956.
I thought I had shown this car in the Tourclassica post, but it was only in the background so here it is with a bonus for M-B Pagoda lovers too.
Something that was perhaps step too far was the ‘Highway Hifi’ record player (also new for 1956), which I can only imagine was as prone to skipping as early car CD players. Would there be another term for this phenomenon with automotive record players?
I also got an interior shots of the Toyota Crown featured at the Tourclassica drive the Thursday before the show, which is a lot simpler than the Chrysler but does look quite nice.
In that post tonyola asked for more of the Maserati Mexico, so here is another shot. There was another Mexico at the show too in the line of top-notch Maseratis you can see in the background here. I was a bit frustrated looking at my photos afterwards that many were poor – especially in light of the recent phone camera discussion, it usually does a good job. The information board for the other car was interesting, noting celebrity owners of the cars as including Ronald Reagan, Italian actress Virna Lisi and middleweight boxing champion Nino Benvenuti, and also that the was not named after John Surtees winning the 1966 Mexican GP in a Cooper-Maserati, but rather because the former Mexican President Adolfo López Mateos had bought the prototype car after it was shown at the 1965 Turin Motor Show.
This Goggomobil 400 Sports caught my eye because of the Mini Cooper S-engined one I saw and wrote about earlier. The wide bolt pattern on the rear wheels here indicate this one is original. Being on a Shannons booth it seems like they are branching out from their usual Dart mascot.
Another Tourclassica car was the Bristol 405 convertible, which was a major change for Bristol – here is a closer look at the front of the car with the radiator grille modelled after the Brabazon airliner’s engine air intakes. The model line-up was drastically changed too – the 2-seat 404 came first in 1953, then the 4-door 405 in 1954; only the 405 convertible released the same year had a direct predecessor. This wasn’t to continue though; the 4-seat car dropped the extra doors for the subsequent 406.
The interior was more traditional though, and the instrument binnacle could nearly pass for any of their later models. The rest of the dash would need some HVAC controls and vents.
Next up I came across a Maserati Ghibli convertible. This is one of those cars like a Cobra or GT40 where you don’t expect to see a real one when replicas are far more numerous – like the Ferrari 365 GTB/4 Daytona, only 10% of Ghiblis were built as convertibles. And this is the case here; the car was originally a US-market automatic coupe.
It does make it easier to get a shot of the interior; a couple of things to note here are the brilliant steering wheel badge, and the fairly unobtrusive clock. It is slightly larger than the other minor gauges, and nothing like as fancy as some of the clocks in more recent times when they have made a big deal about the analogue clock.
This car had the roof chop in the US, and was originally black but has been changed to Verde Gemma Metallic which is unusual to say the least but was a factory colour. I don’t think the true nature of the colour comes through in these shots; it was a slightly odd shade, and while it made a big impact I dare say more people would hate it than love it. Even appreciating unusual colours, I don’t think I would chose to live with it when there are so many others out there that would not challenge you each time you looked at it.
One of the restoration team was on hand tending to the car, and explained that even though the conversion was done years later, even the originals were converted by the Ghia carozzerie after they had left the Maserati factory. The Ghia badge appeared on many local Fords (as elsewhere), so can’t have been hard to find. It also has been changed to a 5-speed manual gearbox which is a plus in my book. It has just finished an 8-year restoration, which won the restoration of the year award.
This 1966 Brabham BT17 has its Repco 4.3L 620 series V8 to thank for the bundle-of-snakes centre-exit exhaust that looks just incredible here. The engine is an enlarged version of the Oldsmobile-based F1 championship engine, which is why the exhaust doesn’t exit out the side where it would increase the frontal area of a grand prix car. The one-off BT17 only raced a couple of times originally against cars like the Lola T70 before the focus was switched to other categories. The car only arrived in the country just days before the show, and I’m hoping it will be seen on the race track at Philip Island next February.
It seems pretty incredible to see this 1938 Bugatti Type 57C – yes 57C; they normally look like this, and have a 3.3L DOHC supercharged straight eight. It is almost unthinkable now that a one-of-96 Bugatti with Le Mans-winning heritage was rebodied in the style of a Type 59 grand prix car, but hey, that is the 1980s for you!
This 1950 Allard J2 is one of 6 to come to Australia originally, and was sold to noted racing driver Jack Murray. It was the only one with a Cadillac 331 racing engine, and was raced extensively, coming 4th and 6th at the 1951-52 Australian GP’s and winning the 1952 Sprint Championship. Jack Murray is better-known by his nickname ‘Gelignite’ thanks to his exploits on the Redex Trials – and not just winning one without dropping a penalty point!
As a change from the vintage and classic cars, one of Ford’s current GT race cars was on show, fresh from its demonstration runs at Bathurst a couple of weeks earlier. This shot shows how the cabin tapers sharply back through the engine compartment, with giant openings inboard of the rear wheel houses; making it abundantly clear it was designed as a race car first and foremost.
This 1957 Porsche 356A was very popular with our group because had the most amazing patina you are likely to see; the paintwork was described as ‘distressed’, which is about right. You really get the sense the car has seen a lot of living, and not been treated as a precious object, and it was still more characterful than decrepit.
Renault’s new Alpine A110 was making its debut at the show, and made me wonder if it is compulsory for it to be shown alongside one of the originals? It does serve to emphasise how much bigger than the original it is; but it is still very small. It seems like a great car, and for AUD$95k it would want to be. That is $5k more than an Alfa 4C, $10k less than a Lotus Elise and $20k less than a Porsche 718 Cayman for comparison, so it is not outrageously priced.
I don’t think I need an excuse to include this 1970 Lamborghini Miura 400S? It puts the company’s current products to shame as a truly, universally beautiful, car and not something resembling a stormtrooper’s helmet.
There were a pair of immaculate Fiat 124 Spyders, that also show the modern equivalent up as the caricature it is.
To one side of the Cadillacs was this Facel Vega HK500. These French GT cars had Chrysler engines and running gear, although this one has the 4-speed manual that was fed back the other way; it was optional but very rare in Chryslers etc of the era.
The tail light has a nice detail.
But the interior is the real highlight, just so plush. One notable thing is how low the beltline is, by comparison to modern cars. Driving this would be a real ‘period’ experience in many ways, but I’d expect still very easy.
That is just about it for this year’s show, I have just one more snippet (well, two) that I’d like to share. I hope you have enjoyed this look at the show, and if possible try to join us next year.
Further Reading:
Car Show Classics: Last Days Of The American Supercar At Motorclassica
Car Show Classics: Art Deco Marvels At Motorclassica
Car Show Classics: Some Major Microcars At Motorclassica
Car Show Classics: Motorclassica Outdoor Display
The Holden wagon is beautiful, but I thought at first it was the rear of a 1957 Studebaker wagon. Very similar.
I also thought the Holden a Studebaker. A trim level of the Ford four door station wagon from 1952 through the early Seventies was named Country Sedan and it always confused me. I think it was the level just below the infamous Country Squire.
Yes, the Country Squire fake woody was equivalent to a Fairlane, the Country Sedan to a Customline, and the Ranch Wagon a Mainline. They had about the same interior (vinyl, not cloth) as the equivalent sedan model, only in one or more years the Ranch Wagon got tan vinyl upholstery imprinted with ranch brands. Because Ranch Wagon, obviously.
In some years there was a better trimmed Ranch Wagon, called Custom Ranch Wagon in ’55-’56 and del Rio Ranch Wagon in ’57-’58. In 1955-56 the upgrade was worth every penny, saving one the embarrassment of having a naked black rubber gasket around the windshield and total lack of chrome trim on the sides. Only a Cheapskate ’50’s Dad wouldn’t care.
I did too or a Packard baker
I was thinking more Mini ’55 Pontiac, I think because of the side trim, and because the greenhouse looks more GM than S-P.
It’s much more similar to the GM A Body wagons, like this ’57 Chevy.
I likened the ‘57 Pontiac Safari at first glance.
Great writing, John!
Something I didn’t understand:
“These French GT cars had Chrysler engines and running gear, although this one has the 4-speed manual that was fed back the other way; it was optional but very rare in Chryslers etc of the era”
What does “fed back the other way” mean?
Perhaps it is in reference to the Pont-a-Mousson manual transmission, which was the transmission used in the Facel Vega, mated to a Chrysler sourced engine. If I recall correctly, the handful of Chrysler 300 series cars with manual transmissions of that era used the same transmission. I guess it was a case of taking advantage of existing engineering for an extremely low build number.
Yes the 4-speed gearbox was sent from France to the US.
I see. I thought it referred to some characteristic of the box itself.
Thanks!
“stormtrooper’s helmet” LOL
Probably the most fitting adjective of modern Lamborghinis. The Miura is a colossal work of art, and the 124 Spyder is also unquestionably a classic.
Their contemporary “equivalents” will not be so fondly remembers in 50 years time.
I’ve been meaning to write a post about the automotive books that inspired my interest, and provided a lot of my knowledge, when I was young. So even though I’m American, I immediately got the reference to “Gelignite Jack” and the Redex Trials, as one of my early car books (in the 1960’s) had a chapter about the Trials and highlighted this character.
Thanks Dana, I’m a little surprised that the Redex Trials, but they had a real Boy’s Own adventure vibe to them (to mix metaphors with English books)
Nice old FB but very over restored, they werent that well finished when new, a 144 Falcon had similar performance but nowhere near as robust as the Holden, those things were tough.
When FB’s or EK’s were still daily cars, did you ever see one with those uglifying spats that restorers now fit? I can’t recall a one.
And whilst these Holdens were properly tough, they didn’t like water. I used to get a ride to school in an FB in about ’79-’80, and like all Holdens of the era, there was part of the floor where you didn’t put your feet for fear of an exhaust burn or gravel rash.
Hard not to over-restore cars from this era I suppose.
I know what you mean about rust, my great grandmother had one that was the proverbial little old lady’s car – she bought it in her sixties – and it had a rusty floor.
Yes, it seems few can resist loading these old Holdens up with everything that was in the NASCO catalogue.
That’s very true jonco. It is hard to begrudge though, given how hard it must be to find some of the stuff.
I had one a pink and grey 1960 FB sedan, kida slow roly poly ride and hadling to match minimal brakes and little engine power, NO spats, they look stupid on cars not designed for them
Thanks for the Maserati Mexico shot. It’s more evidence that Italian stylists in the ’50s and ’60s often had a lackadaisical attitude about the look of taillights. The ones on the Mexico look like they were blindly chosen from a parts bin.
It certainly looks that way, but I don’t think it actually is. The lights are not a simple rectangle, and I don’t think there was that much sharing if you leave out simple round lights. Perhaps it is just a different attitude where the lights were not seen as a styling feature, and it often seems like by the time they got to the back of the car they just wanted to get it finished. Some are pretty nice though, eg Lancia Fulvia sedan.
Re Chrysler Highway Hi-Fi – Here’s an RCA Victrola installed in a DeSoto. Similar. The Chrysler used special discs (only from Columbia I believe) that played at a lower rotational speed so didn’t take off. Others used regular 45 discs.
https://youtu.be/S0hRzEihsR4
I had always wondered about skipping also so nice to see how they worked. Looks like it would be fine, although I wonder how much force the stylus applied to the disc (wear) but 45’s were meant to be disposable anyway, so…
Very interesting video! To see the stylus being applied from underneath the vinyl is amazing. What did they put in like 6 – 45 records and they change them 1 by 1. Pretty cool to see this in operation! Thanks for sharing.
Early car CD players occasionally skipped on rough roads. At least there was no damage to the discs.
Would sure like to see the front end of the Holden Station Sedan.
Beside similarities to a Studebaker, mentioned earlier — my 1st connection is to a ’55/’56 Pontiac.
Here you go. Looks a bit like a ’56 Chevy, doesn’t it.
At first glance on my phone, I thought it was a Pontiac, and I had a colleague years ago who occasionally brought his FB sedan to work.
He described the styling as “basically scaled down ’55 Chevrolet”.
I didn’t take a picture of the front, but here is one I found
Looks like the photo format is not compatible, I will have another try when I’m not using my phone
Ok, here we go… from Carsguide’s nice article on Motorclassica: https://www.carsguide.com.au/oversteer/motorclassica-2018-bigger-and-better-than-ever-71395 (the link should work until they re-jig their website at some unknown point in the future!)
I can see a bit of 1956 Chevrolet in the front end, minus a bit of chrome, or 1957 with a simpler bumper & grille surround at the outer ends, having painted steel instead (it’s cheaper!).
My, but the chopped Mistral is a pretty machine, whether fake or no. It’s not easy being that colour (just ask that frog) and as photographed, the colour is sweet.
Talking of shades, I’d have to repaint that lustrous Facel Vega. That colour is for some effete junior Italian or small and chesty Englander, not International Jetsetter Mystery Man’s manly continent-crusher. I didn’t know there were any in Oz. (Facels, I mean. Place is riddled with manly mens. Less of the mystery or jetset).
Comprehensive and appreciated effort, john.
I remember a wonderfully detailed article in Restored Cars magazine some years ago which featured 3 or 4 local Facels, I should still have it in a box somewhere.
Yes I have seen others, hard to put a number on how many though.
Very nice! The 1956 Chrysler 300B may be my favorite of the entire run of the letter cars.
The Maserati Ghibli is a beauty. I question the restorer’s choice in switching from the original black to this green, but there is no denying the car’s lovliness. This marks the end of the era where Italian styling really does it for me.
As for the Hiway HiFi, every modern phonograph I saw as a kid was a 4 speed (16, 33 1/3, 45 and 78 rpm). We had records of the top 3 settings and each was common as dirt in the 1960s (though the 78s were fading quickly from relevance). But I never, ever saw a 16 rpm record. I had no idea that the Hiway HiFi was the reason for that setting.
> I had no idea that the Hiway HiFi was the reason for that setting.
It wasn’t. The standard for phonograph records was 78 rpm. By 1958 they had been superceded by 33-1/3 (1948) and 45s (1949). 16 rpm was used for spoken word – audiobooks, plays, speeches, radio shows, etc.
Some companies experimented with it for music because it allowed twice the playing length, ideal for jazz and classical. It had poor fidelity though. Before Muzak, Seeburg made a jukebox that played 16rpm discs to use as background music in restaurants and retail outlets.
the records were few and far between, but companies wanted to be efficient as sell one versatile machine rather than the specialized market we have today. I think they mainly kept the speed because it amused kids to play their 78rpm Golden Records at 16 rpm. And I think the actual speed was 16 2/3.
Thanks for the info. I find it interesting that as many records as I have pawed through over the las 50 years (new and used) I have never seen a 16 rpm disc.
FWIW it was always more fun to play 33s and 45s on the 78 rpm setting. It actually made polka records fun to listen to. 🙂
The classic example: a 45 of Dolly Parton’s Jolene played at 33 sounding like Tracy Chapman backed by Tony Joe White. And it works.
Great to read the record comments, I wonder if I would run out of fingers counting the number of records I have played. Probably not quite that few, but not a huge number. My parent’s player had two speeds because it was from the 80s, and even then was an add-on to the rest of the stereo they bought; as was the cd player a few years later.
the holden reminds me of a 57 pontiac wagon.
Definitely. At a glance you can tell it’s a GM, inside and out. The GM US Chevy/Pontiac wagons all through the 50’s always had upright third pillars instead of using the sedan back doors and adapting the rest to go with them. A lot of other cars used sedan back doors also.
On the other hand, upper level US GM wagons did use sedan back doors.
Combine that rear door and the Pontiac tail lights and we are getting pretty close! Holden would never have done a pillarless car (except for the Monaros of course), they would have failed their torture test track at the proving grounds. They don’t drive modern cars on that because they will just destroy tyres; it has 8″ rocks set in concrete, which they considered necessary to make sure cars would survive on the sort of roads and how they were driven back then.
Hate to be picky, but the Brabazon airliner prototype used piston engines, not jets. However, a mk2 was planned with turboprops, but it was never completed, and the whole project was scrapped.
Thanks for the correction Michael, I feel a bit silly for having made the mistake. Shows how ingrained airliner = jet is I suppose. I’m going to blame the Steve Miller Band 😀
I cannot agree with you more regarding the Lamborghini Miura vs. their current offerings!
Wonderful selection. I’m afraid I’m starting to dribble at the corners of my mouth……