Automotive History: The Studebaker Sedan’s Last Decade of Styling – Magic with Leftovers

62Lark2

1962 would see quite a bit of change, not all of it readily apparent.  This would be the first sedan designed with Brooks Stevens’ input.  Unfortunately, this was a styling job that would have to be done in two installments.  First, she short wheelbase version would disappear, so that all Larks would now be on the longer 113 inch wheelbase.  But now, the long wheelbase body got an updated roofline similar to the basic ’61 Lark.  Most of the design budget showed up in the revised front and rear styling, including fenders and quarter panels.  It would appear that the new Lark also made use of slightly revised versions of the long rear doors from the ’61 Cruiser.  But for all of the new changes, it was clear from that out-of-style windshield, those thick upper door frames and the old-fashioned exposed B pillar that it was the same old Studebaker.

63Lark-crop

It was with the 1963 model that Brooks Stevens would finally be able to afford to finish his vision for the car.  This year marked the first really visible change to the car’s greenhouse since 1955.  A new modern windshield and thin door uppers were added to what was otherwise last year’s Lark.  Although it is difficult to tell, this car may have used the same roof panel as well.  Stevens also jettisoned the “dipped” bright side molding that made the ’62 take on a swaybacked appearance.  That dipped molding had been made necessary by the perennial character ridge in the body side that was finally eliminated on the ’63 sedans.  In an apparent cost savings, that ridge remained pressed into the 2 door models all the way through 1966.  Another change which not even I had ever noticed until a later edit is that the lower doors were revised to finally conceal the old exposed B pillar, which had always stuck out like a sore thumb.

62Studefront-vert

There were also enough changes made to the cowl for modern parallel action windshield wipers to replace the old 1950s-style opposing wipers.  It was a major step and a major expense for Studebaker, but the new lightened upper body was not completely up to the task of changing the look of the heavy lower body.  Once again, the carried-over parts of the design worked to overshadow and disguise the new parts, and to confirm that this was anything but a new car.

64 Stude

Thanks to Eric Clem for this beautiful 1964.


It would not be until the 1964 line that Brooks Stevens would be given the budget to do a more thoroughly revised outer body.  This was a very clever job which involved a revised roof and rear door uppers, along with a new front clip that finally eliminated the Lark’s sawed-off appearance.  The car also got new rear styling, all of which served to disguise the carried-over doors and rear quarter panels.  For the first time since 1953, it could be argued that the new Studebaker was indeed a new model.  We will ignore the 1963 dash panel that carried over, as well as the fact that the body still perched on top of the frame rather than nestled down into it as on every other body-on-frame car not named Checker.  Also, not until writing this would I come to realize that the outer rear fender appeared to be the very same piece used in 1962 and 63.  Attractive as they were, the new 1964 model would unfortunately prove to be too little, too late.  When early sales figures did not show a significant jump from 1963, the decision was made that enough was enough, and production in South Bend would cease within just a few months after the 1964 model’s debut.  This car would, of course, soldier on for two final model years as a product of Studebaker Canada, but there would be no body changes from the final American version.

64 Stude2

There is probably no company that did more with less over a longer time than Studebaker.  And I would be surprised that if, by 1964, there was a single significant piece of the original 1953 body that was still in the car beyond the floor or the firewall.  Actually, even the floorpans were slightly revised in 1961.  But just as the old axe that had received two new heads and three new handles was still Grandpa’s axe, the 1964 Studebaker will be for all time considered to be a very cleverly disguised 1953 model.  An accurate assessment?  Certainly a point for debate.

64 Stude22-vert

What is beyond debate is that through a decade of relatively minor, incremental changes, Studebaker finished up with a design that was certainly no less appealing then they one with which they began in the early 1950s.   And that, dear readers, is not something seen very often.

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