Star Trek is one of my all time favorite television shows, so I was surprised to find that it has never gotten the proper CC treatment.
You would think that a TV show set in outer space in the 23rd century would have little use for automobiles, and you would be right, mostly. However, the crew of the Enterprise did make several visits to the Earth of the past (always the 1960’s, for some reason), as well as to some Earth-like planets.
First up “Miri,” episode 8 of season 1. The Enterprise comes upon a planet that is almost an exact duplicate of Earth, even down to the shape of the continents. The reason for this extraordinary similarity is never explained, and this similarity is never discussed again as the crew beams planetside.
The shot above represents the first appearance of any cars in Star Trek. You have to look fast, however, as it lasts only a few seconds. The gear heads over at imcdb.org have not been able to identify the car in the middle of this shot, so perhaps the brain trust here could do them a solid by helping them out. The car in the foreground is a 1947 Cadillac Fleetwood 75, which you can more clearly see in the shots below.
Sharp-eyed Andy Griffith fans (if there is such a thing) will recognize this set as Desilu’s 40-acre back lot, which stood in for Mayberry on the Andy Griffith Show.
The Cadillac crest is clearly visible in this shot. For those worried about such a nice car being abused so badly, realize that when this was filmed in 1966, the Caddy was just a 19 year old. That would be like worrying about weathering up a 1998 Cadillac Seville today.
Next up is “City on the Edge of Forever,” widely regarded by fans as the best episode of the original series, and one of the best of any of the Star Trek series. Dr. McCoy suffers an accidental drug overdose, beams down to a mysterious planet, and jumps through a time portal back to depression-era New York City where he prevents Joan Collins (her character, not the actress) from being killed, which allows the Nazis to win World War II, and wipes the Enterprise from existence. Kirk and Spock have to go back in time through the portal to set things right. OK, it sounds kind of ridiculous as I typed it out just now, but it plays out far better than it sounds.
Nothing says period piece better than old-timey cars, so here we see a 1930 Buick Series 40 shortly after Kirk and Spock arrive in the past.
Here we see a 1930 Chevrolet Universal in another establishing shot.
Bonus fact: This episode was also filmed on the Desilu Back 40. Here we see Kirk and Edith Keeler walking by Floyd’s Barber Shop. Apparently, he started out in New York before moving to Mayberry.
Here we see Edith Keeler about to get run over by a 1939 GMC AC Series truck. This truck also made several appearances on Mission: Impossible (which was also produced by Desilu).
Season 2 would see the Enterprise encounter another Earth-like planet, Sigma Iota II in the 17th episode, “A Piece of the Action.” This time, the residents modeled their civilization after a book on Chicago mobs left by an earlier visiting spacecraft.
In this shot, Kirk and Spock sit on the bumper of a 1931 Cadillac V-12 Model 370-A, offering a kid a piece of the action. Those look like aftermarket turn signals, or perhaps Sigma Iota II has different vehicle safety equipment standards.
Here we see Kirk and Spock approach the driver of a 1930 Cadillac Series 353, again with those weird Sigma Iotian turn signals.
Lest you think the Sigma Iotians were all about their Cadillacs, here we see a humble 1925 Studebaker Standard Six, with Spock and the Cadillac V-12 just visible behind (and the studio back lot visible behind that).
The next cars wouldn’t appear until the 21st episode of the second season. Officially titled “Patterns of Force,” it is better known to most people as “That Nazi Episode.” I won’t even bother trying to explain how Nazis show up on a different planet (the in-episode explanation is frankly ridiculous), so we’ll jump straight to the cars.
As with the previous episodes, having period cars does wonders in aiding suspension of disbelief, in this case transforming the same studio back lot into the Nazi planet of Ekos. Nazis of course mean German cars, and this episode delivers. Above we see a 1937 Mercedes-Benz Type 230. It must never rain on Ekos, as the header-mounted wiper blades have been removed.
In this shot of the Ekosian Chancellory, we see a 1940 Volkswagen Kübelwagen parked out front. Bonus fact: The building used for this scene is actually a Paramount office building. It must have amused Gene Roddenberry to no end to hang swasticas on the building of the Studio executives he so despised.
In”Bread and Circuses,” the Enterprise visits yet another Earth-like planet, this time a modern-day world where the Roman Empire never fell.
This episode features cars that are at least somewhat alien, and not obviously Earth-production cars. The car pictured above is referred to in the episode as the Jupiter 8. This is an odd thing for a Roman civilization to do, as it would be akin to us naming a car after God or Jesus, but whatever.
In actuality, the Jupiter 8 was a custom car named Reactor, created by famed custom car creator Gene Winfield (who was also responsible for the design of the original series shuttlecraft). The picture above isn’t from the episode, but it gives you a better idea of what the Reactor looked like.
The Reactor went on to appear in other TV series, including Batman (above left), and Bewitched (above right).
Allow me now to serve up the final original series episode with cars, the second season’s “Assignment: Earth.” This episode was actually an attempt by Gene Roddenberry to launch a Star Trek spinoff set in then-current-day 1968, which is why the main cast appears less than usual. I just rewatched this episode recently, and I still can’t really tell you what it is about. How the Enterprise got to 1968 isn’t really explained, and the story involves some dimension-shifting humanoid alien and a NASA space launch. The highlight of this episode is a guest appearance by a very young Teri Garr, who steals every scene she is in.
Here’s a 1968 Plymouth Satellite, filling in as a government car. Note that actual government cars of the time would have been extremely unlikely to have whitewall tires or full hubcaps. Since this episode was filmed in 1968, this marks the only current model-year car to appear in an original Star Trek episode.
Here is a 1967 Dodge Coronet from the same episode, more correctly trimmed for government duty.
Much of the space center shots in this episode are in fact NASA stock footage. This 1965 Plymouth Belvedere is part of said footage, but at least that makes it a genuine US government car.
Lastly, we have a 1966 Ford Falcon, parked next to the 1968 Plymouth Satellite from the previous scene. The steelwork kind of creates the optical illusion of it being a coupe, but the coupe actually had a different roofline.
Star Trek’s third season is generally considered it worst, and that is certainly true from a car-spotting standpoint – no cars appear in any third-season episodes.
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I know we’re talking about Star Trek: TOS, but I recalled Paul’s FAVORITE car in an episode of Star Trek: Voyager where Kate Mulgrew’s character is seen driving it around. You know how Paul just LOVES the ’71 Fords. ;o)
That was a weird episode where Kate Mulgrew was playing a double role as both Captain Janeway, and also as Captain Janeway’s own grandmother back in time. It was Captain Janeway’s grandmother who was driving the Country Squire.
I thought it was something like that… I remembered the car, but couldn’t remember the episode all that well, thus why I said, “Kate Mulgrew’s Character” and not Captain Janeway.
I do recall it being a “weird episode” (many of that series were), but I totally remembered that car.
I did a double take on the picture in front of Floods Barber Shop. At first glance I would have bet that that was Aneta Corsaut who played Helen Crump on The Andy Griffith Show. I never noticed the resemblance to Joan Collins before.
Not relevant to cars per se, but “Assignment: Earth” (which happened to be on the H&I digital channel recently) does explain right upfront, in the voiceover captain’s log, how and why they traveled to 1968: using the “light speed breakaway factor” to do intentionally, for historical research, what they’d done accidentally in season 1’s “Tomorrow Is Yesterday.” No more far-fetched than most episodes…
That’s the same time-travel plot device for the movie Star Trek IV, too.
In The Voyage Home they at least have a couple throwaway lines with Kirk and McCoy where Kirk says “We’ve done it before.” McCoy responds with something about a quick slingshot around the sun and if you pick up enough speed you’re in time warp; if not you’re fried.
From a practical standpoint, I assume they referenced the breakaway technique from “Tomorrow Is Yesterday” so they’d have less reason to need to show it, since the episode is basically a pilot for the spinoff with the Trek characters in it just enough to justify running the pilot in the same time slot. (Kirk and Spock don’t actually do much of anything except charge around uselessly on the fringes of the story before finally deciding that Gary Seven seems to know what he’s doing.)
I really appreciate the bit in the Deep Space Nine episode “Tribbles and Tribulations” where the Federation’s Temporal Investigations department cringes at the mention of Kirk’s name.
There’s a famous photo of a smiling Leonard Nimoy in Spock gear leaning against the front of his personal car, a 1st generation Riviera (maybe a ’65).
There are actually a bunch of pictures of Nimoy with his Riviera. I like this one the best, since you can see a period Corvette next to it.
I believe that’s actually Shatners Corvette
Last year Hot Wheels made a version of Leonard Nimoy’s Buick Riviera along with a tiny Leonard Nimoy action figure.
http://io9.gizmodo.com/a-tiny-spock-leaning-on-a-1964-buick-riviera-is-the-bes-1781245950
Oh dear. I’ve never gone back and watched the original Star Trek series, although I did try that a bit with season 1 of The Next Generation.
Also, I had the interesting experience of watching Star Trek: The Motion Picture with my kids, and having to apologize to them afterwards because it was so terrible (which is not what I remember).
So basically my Star Trek philosophy is that anything Gene Roddenberry was actually involved with was a piece of cheese, and the subsequent years have made it into a really stinky piece of cheese because it hasn’t aged well.
Oh, and interesting cars by the way. I’ll have the 1963 Savoy with dog dish hubcaps!
The Motion Picture was enough content for an episode, not a Director’s Cut edition DVD. Roddenberry had big ideas and way blew the budget on it-bad enough Paramount refused to let him be the producer on future Trek movies and enough they had the television division handle the rest of them to avoid the expenses of the movie division doing it.
Roddenberry’s hand on The Next Generation versus Rick Berman’s is obvious (and much better). Roddenberry on the original series I just chalk up as low budget and a product of the era.
At any rate, starting with The Motion Picture was a bad idea. It’s the worst of the first six movies. But, it did win the Emmy or something for best special effects that year.
Yeah, The Motion Picture wasn’t great. But it was still better then Star Trek V unless you really enjoy cheesy special effects plus Kirk and McCoy singing “Row Row Row Your Boat”.
Funny you should say that, because the plot of TMP was a retooled TV treatment for an episode (originally entitled “In Thy Image”) for an abortive new Star Trek TV series. The series (covered in great detail in the Reeves-Stevens’ book Star Trek: Phase II) was intended for an early run at a Paramount TV network and was to return all of the original cast except Leonard Nimoy. Spock was therefore to be replaced by a new Vulcan character, played by actor David Gautreaux (who has a very small role in the feature). Ilia was to be a new regular.
For various reasons, neither the network nor the series materialized, but some of the elements were rolled into the feature. (If I recall correctly, part of the reason the feature ended up being so expensive is that it absorbed a lot of the development costs of the unproduced series.)
“In Thy Image” was itself a retooling of an episode from the original series, “The Changeling,” by John Meredyth Lucas, in which an Earth probe called Nomad is reprogrammed by an unknown machine intelligence and decides its mission is to eradicate organic life.
Well yeah the original was cheese, but it was fun and never took itself too seriously. There was great chemistry between the actors too. I enjoyed going through the series.
After that I started in on Next Generation and boy was that a disappointment. So many annoying touchy-feely-wishy-washy characters. After a few episodes I skipped forward to season 3 which is better and I’m still working on that, though I’m not exactly sure why. Probably because I grew up with it I guess.
Oh yeah, I remember standing in line with my then fiancee for the opening showing in Johnstown (Sally and I were both heavily into the SF convention scene at the time) to see the movie, as we called it “Star Trek: The Motionless Picture”.
And upon walking out, screaming at the top of my lungs, “Save your money, it sucks!” to the crowd lined up for the second showing. And getting heartily booed for my comment. I wonder how many of them felt the same way when they came back out.
Back then, the definition of a Trekkie (a term of derision to literary science fiction fans) was somebody who could sit thru that movie and claim they enjoyed it with a straight face.
My final break with the Trek franchise was movie #3, when they didn’t have the guts to leave Spock dead. God forbid you should antagonize all those whining Trekkies living in their parent’s basement.
I wonder if Nimoy got his “taste” for fast cars while filming the episodes of Highway Patrol he appeared in?
Is the name Jupiter, for a car in a Roman-type civilization really any more odd than naming a car Mercury?
I had this idea once, that when you boiled them down, there really were only 3 main types of Star Trek plots: the “thing” that was engineered to devour the universe, the difficulty reining in a disastrous plague, the problems associated with trying to get a whole society “back on track” (or what Kirk thought was the RIGHT track) WITHOUT violating the Prime Directive.
“Is the name Jupiter, for a car in a Roman-type civilization really any more odd than naming a car Mercury?”
Or how about Saturn? I wonder what GM was thinking when they came up with moniker?
Correction: “…when they came up with THAT moniker…”
Maybe five plots: the ones you mention, plus 4) heavy-handed Cold War metaphors with the Klingons as the Soviets and the Romulans as the PRC, and 5) godlike alien screws with the crew for arbitrary reasons.
To go a bit further, you can sub-divide the locales of those three, basic plotlines into ship-located or planet-located. An old Jay Leno routine spoke about how they were running out of sets for episodes and had to resort to beaming down to planets that looked like Kitten’s bedroom from Father Knows Best.
My favorite part of the TOS is what I presume would be a Bar-Trek game where you get a shot every time a crewmember with few (if any) lines tends to appear in the background often. I’m speaking, of course, of Mr. Leslie, who was actually put in charge of the ship (once) in an early episode.
The guy who played Leslie, Eddy Paskey, was rather clever in that he would actually read the scripts beforehand and know when a nameless crewmember (the infamous red shirts) was scheduled to die, and make himself scarce at those times as to not be chosen.
Mr. Leslie quickly faded into the background as the show progressed with the advent of the more animated Jame Doohan as Mr. Scott. Technically, Leslie’s title of Security Chief outranked Scott’s Chief Engineer so it was a breech of the chain of command when Scott was put in charge of the ship ahead of the seldom-seen (but omnipresent) Leslie.
At least one of the security officers (the white-haired commander in “Devil in the Dark”) also outranks Scotty, as a full commander. It’s possible that he and Leslie are actually also lieutenant commanders with some kind of brevet rank, just as Spock in the first season wears full commander’s stripes as first officer despite being described repeatedly as a lieutenant commander.
Starfleet’s chain of command also appears to be based on position as well as actual rank, since the original series consistently establishes that Sulu, who’s a lieutenant, is fourth in line. Both Scott and Sulu are described as having past combat experience, which might have something to do with it. (Both are presented as competent commanders in the original series and obviously Sulu goes on to command another capital ship.)
I always cracked up at “A Piece of the Action” when Spock just happens to know that maybe there’s a clutch and maybe it’s one of those pedals on the floor when he and Kirk try to drive. It’s actually a pretty entertaining episode, as long as one remembers that Trek was low-budget and a bit cheesy even by the standards of the era and thus looks past the fact they did the occasional pale palette swap of Earth (and the occasional and really really painful over-the-top Cold War patriotic propaganda, ala The Omega Glory).
What is truly amazing is that for 2 guys who didn’t even know what a clutch was, they never stalled the car they got to buck and lurch all of a block or 2. After driving cars with manual transmissions for 20 years, I still managed to stall my new Civic (thank you cars from Japan with your featherlight clutches) on many occasions.
These guys could fly an intergalactic starship so a standard transmission would have been a piece of cake.
Yeah, kinda weird since in the ‘alternate reality’ of the reboot of the franchise, Kirk has no problem diving a stick in the C3 Corvette as a juvenile delinquent in the first movie, or in the 3rd movie since the reboot, the standard transmission of the motorcycle he piloted….
Kirk’s early life in the new timeline is substantially different than it was in the original version. In TOS, it’s strongly implied that young Kirk was kind of a nerd. In the alternate timeline, the Corvette he borrows belongs to a stepfather he didn’t have in the other history (because in the original timeline his father survived at least into Kirk’s 30s rather than dying a few minutes after his birth).
Star Trek was actually one of the most expensive shows and a big reason for its cancellation and replacement by the lame Laugh-In which cost a fraction of Star Trek to produce.
Yes, it was an expensive show to product, but it wasn’t the main reason. Initially, the producers didn’t want to air the show, claiming it was “too serious and cerebral” and didn’t have enough monsters like “Lost In Space”. Roddenberry had to fight the producers to keep it a quality show. I remembered NBC kept putting it in bad time slots. In the last season, it was aired on Friday nights at 10pm, the worst slot to watch. Of course the Nielson ratings were poor and the producers used it as an excuse to cancelled it.
Part of the reason for the horrible last season slot was due to Bjo Trimble’s letter writing campaign to save the show. I believe it was the first time in television that fan screaming cancelled the cancellation of a show, and yes I took part in it. One of the few movies I’ve made in life that I regret (I fully believe that Star Trek long ago outlived itself).
Of course, when you force the television executive’s hand, they don’t take very kindly to it. So Star Trek was saved – and immediately given a time slot that guaranteed it had no hope whatsoever of picking up the ratings to a survivable level.
Not quite.
Roddenberry had a penchant for going over budget, as he did with episodes like City on the Edge of Forever, and being late with his scripts (which was like every week). What really killed Trek, though, was the move to a terrible Friday night time slot. With the move, the ad dollars dried up, which spelled its doom. The first pilot, The Cage, was very expensive. Season 3 got a pretty notable budget cut. Even in Season 1 when it was doing well against its competitors, though, Trek was middle of the pack for per-episode costs.
Having started to watch Star Trek in season 3 (Fridays at 10 p.m., right after season 1 of the 90-minute The Name of the Game), and having duly cursed NBC for subsequently canceling it, I recall that what replaced it in the time slot was an undistinguished something called Bracken’s World.
Rowan & Martin’s Laugh-In did, however, bounce Star Trek out of what was to be a plum fall 1968 scheduling slot. Laugh-In began in early 1968 and was immediately popular, so it got the fall slot that had been promised to Star Trek. Roddenberry told NBC he would leave if not given a better slot than Fridays at 10, NBC called his bluff, and at that point he left the series (retaining the executive producer credit).
So only in that sense did Laugh-In “replace” Star Trek.
Yes, “A Piece of the Action” was a funny episode.
I thought that scene where they are trying to figure out how to drive a car was funny too. When Kirk and Spock reach their destination, Spock comments, “Captain… you are an excellent starship commander. But as a taxi driver, you leave much to be desired.”
In other scene, Spock balks at the prospect of another “joy ride with the Captain” and Kirk asks him, “Are you afraid of cars?” Spock responds, “Not at all, Captain. It’s your DRIVING that alarms me.”
A pleasant surprise. Never having been much of a trekkie, my first thought was “Well, this will be short.” Haha, I had forgotten about those oddball episodes where they wound up shooting on the old Hollywood urban backlots.
My mother watched the show in its original run in the 60s, but I was always kind of “meh” about it. But my, what a life that franchise has taken on.
What would TV show producers and directors have done without Ford and Chrysler who were seemingly armwrestling each other for the rights to feature their products on television. Shows in the 60s featuring GM cars were quite few, with Bewitched being one of the few to come to mind. But Ford and Mopar-salted shows were everywhere.
It’s been talked about before, but the urban shows of the era (usually crime dramas) from Quinn-Martin seemed to get Fords (The FBI), while Desilu productions had Chrysler products (Mission: Impossible, with the very early shows having Fords, too). I don’t know who did Kojak but he had a Buick.
Jack Webb’s Mark VII productions started with Fords (who could forget Joe Friday’s ubiquitous 1967 Fairlane sedan that had it’s own CC here) but, later, Adam-12 used AMC cars, with one notable exception. There was one episode where Reed and Malloy got an old 1968 Plymouth Fury that kept falling apart.
Actually, the AMC Matador didn’t show up till about 1972, Adam 12 used a ’67 Plymouth Belvedere in the pilot. Then 68 and ’69 Belvederes. Final Mopar before the switch to AMC, was a ’71 Sattelite.
Happy Motoring, Mark
Maybe we can get Jim Brophy (or Paul… I think he may’ve driven these) to identify the bus Kirk and Spock are riding in on the TOS movie “Star Trek IV: The Voyage Home”.
I’m gonna guess New Look GM, but what little I know about buses, I learned more recently reading the articles on this wonderful site. ;o)…
I say a GMC Fishbowl
One more Star Trek car
Cue Beasties.
+1
That scene made me sick when watching Star Trek: The 2009 Reboot… I sure hope that was CGI, and that they did not actually take out a C3 Corvette.
It probably was CGI, since I don’t believe there are canyons like that in Iowa…
Nice authentic Bosch window air conditioner in the Ekosi Chancellory. 🙂
Yeah–I saw the window A/C unit, and wondered, “How on earth did that get left in?”–quite the anachronism!
Aw, C’mon… suspension of disbelief here. ?
After all, if the Ekosians had the technology to be in an interplanetary war with the Zeons, then surely they could’ve developed refrigeration and room air conditioners.
Yes — the beginning of “Patterns of Force” has the Enterprise encounter an Ekosian interplanetary nuclear missile in flight, so workable air conditioning doesn’t seem unreasonable.
That only looked like a window air conditioner. If you could see it from inside the building it’s plain to see that it is a solar powered borscht dispenser.
It is a stretch, of course, but apparently the first freon based window AC units were made by Philco-York in 1938.
Great fun!
You said:
“First up “Miri,” episode 8 of season 1. The Enterprise comes upon a planet that is almost an exact duplicate of Earth, even down to the shape of the continents. The reason for this extraordinary similarity is never explained, and this similarity is never discussed again as the crew beams planetside”
Au contraire senor. It was a classic example of Hodgkin’s Law of Parallel Planetary Development as our intrepid crew mused over.
It seems impossible, but there it is. -Kirk
“Teri Garr, who steals every scene she is in”
No joke there!
I couldn’t wait to get home from work to watch these again.
I’ve been occasionally catching a few of the ST:TOS episodes on BBC America lately. Most of which I’m seeing for the first time since the original broadcast. And, in the case of third season episodes, I’m seeing for the first time, period. My parents were sneaky enough to get me my first job back then, but ensured that I was only working Friday and Saturday nights, and EVERY Friday and Saturday night.
Brings back of lot of memories when science fiction to me was reading monthly issues of Analog and The Magazine of Fantasy and Science Fiction, and I was still about seven years from my first science fiction convention. (PghLange in Pittsburgh, October 1974).
Which became one hell of a life changer. How much? My current wife is the first woman I’ve been involved with since 1974 that has never been to a science fiction convention, read science fiction, or done SF costuming. And a good third of my Facebook friends list is the old Worldcon costuming crowd (outnumbered only by historical re-enactors).
Voyager Episode “The ’37s”–1934 Ford Pickup
Voyager–Tom Paris’ holo-’69 Camaro
Star Trek IV–The Voyage Home
1976 Chevy Pickup
Star Trek IV–The Voyage Home
GMC Fishbowl “New Look” Transit bus
I always found it amazing-and amusing that some 200 years in to the future that internal combustion and wheeled vehicles were still being used. RE the Jupiter 8, its hot! I want one.
The internal combustion engines were only found on alien worlds with technology like 20th century Earth’s, or (in the reboot movies) as rare collector’s items. Either way, the character inevitably remark on how quaint/backward they are. I don’t recall any of the Federation-level worlds in the original series having any kind of ground vehicles, at least not that we ever see. (Budget reasons, presumably.)
I’m pretty sure that the car referred to as a 63 Plymouth Savoy is actually a 65 Belvedere 1. It has the more square tail lights. The 63 Savoy had more rectangular tail lights.
I’m a big Star Trek Fan, so thanks for a very informative and great article!
That’s pretty clearly the 65 Belvedere I badge on the front fender, not the “Plymouth” script of a 63 Savoy.
The 63 Plymouth and 65 Belvedere tail lights are the same size, but different lenses. The 64 Plymouth has the wide tail lights.
You are right (and smarter than the brains at imcdb). I’ve updated the article.
“Carbon Creek” in the Enterprise series. Plenty of vehicles.