“Mojave”: That was the name Oldsmobile bestowed on the rather shocking interior trim pictured above. It was one of two Native American-themed “Designer Interiors” available for select 1979 Cutlass models (the other pattern was called “Tahoe”). Both trims were a radical departure for the typically traditional Oldsmobile buyer, and are exceedingly rare today. So what possessed Olds to make such a move? Let’s roll out some educated guesses.
First, there was a surge in Native American imagery that spread through U.S. pop culture in the 1970s. One of the most iconic ad campaigns of the decade was “Keep America Beautiful,” a public service announcement calling for action in fighting litter and pollution. Central to the ads was the imagery of an American Indian, with a tear streaming down his cheek, as he surveyed the environmental devastation wrought on the U.S. countryside.
Ironically, Iron Eyes Cody, the actor who played the “Crying Indian” was in reality Espera Oscar de Corti. Of Sicilian descent, de Conti was born in Vermillion Parish, Louisiana, but figured out in early adulthood that playing a Native American was great for career advancement.
There were actual Native Americans who played to their heritage in the 1970s. One of the most famous was Cher, whose popularity soared to new heights with music and TV shows that called attention to her Cherokee lineage.
American Indian imagery even hit supermarket staples, including Mazola corn oil products, with a series of commercials featuring variations on the line: “you call it corn, we call it maize” that were seared into the American consciousness.
So it was no surprise that American automakers would want to get into the the culturally-trending American Indian mix. For example, in 1973 Chrysler offered up Special Edition Newport models finished in Navajo Copper with Navajo-cloth interior trim.
By 1979, Native American imagery was arguably past its 1970’s pop-cultural peak, but that didn’t stop Oldsmobile from introducing trim packages for the Cutlass that were “Inspired by America’s original designers.”
Perhaps Olds was responding to Pontiac’s bold Valencia striped velour interiors that were introduced as an option on the 1977 Bonneville Brougham and then continued for 1978 Bonneville models (though the trim was dropped for 1979, so popularity must have been fleeting). At $44 ($189 adjusted) the Valencia option was a slight premium over the standard velour trim.
Without question, in 1979 Oldsmobile was trying out extra-cost interior trims to further boost personalization (and division profits). In the Delta 88 Royale line, for example, Olds added a Brougham trim, with special divided-bench front seats and Laurentian Velour with pillowed upper-seatbacks. The extra-cost trim option listed for $155 ($582 adjusted). The Royale Brougham was a hit, with the package becoming a standalone Delta 88 model for 1980 and beyond.
In 1979, Olds also offered leather trim for the first time in a Cutlass Supreme Brougham, available in Carmine Red or Camel Tan for $264 ($990 adjusted). Likewise, it must have been popular with customers and lucrative for Olds, as leather trim remained on the Cutlass Supreme Brougham option list for years to come.
But undoubtedly the wildest of the extra-cost interiors were the Cutlass Designer Trims. The Camel Tan “Tahoe” was available on Salon Brougham 2- and 4-door sedans and Cruiser Brougham wagon models and cost $95 ($356 adjusted). The Black/Camel Tan “Mojave” could be ordered for Supreme Brougham coupes, and was priced at $125 ($469 adjusted).
Exterior color choices for the Cutlass Designer Trims was pretty limited. “Mojave” Supreme Brougham buyers had a choice of White with optional vinyl top treatments in White or Medium Beige, Black with optional vinyl top treatments in Black or Medium Beige, and Medium Beige with optional vinyl top treatments in Black or Medium Beige.
“Tahoe” Cutlass Salon buyers could pick White with optional White or Medium Beige vinyl top, Black with optional Black or Medium Beige vinyl top, and Medium Beige, Camel Metallic or Dark Brown Metallic with optional Medium Beige vinyl top. Cruiser Brougham Wagons with Tahoe trim can in those same 5 body colors, but with no options for vinyl roof coverings (Olds did not offer vinyl roof options for any wagon in 1979).
So, with limited color choices, truly wild upholstery patterns and premium pricing, can anyone be surprised that the Cutlass Designer Editions proved to be such a rare one-year-only option?
A search on Google yielded pictures of just two examples of 1979 Cutlass Supreme Broughams with Mojave interiors.
This Medium Tan/Black Vinyl landau top example hailed from Michigan. The aftermarket wing and wheels really make an unusual car even more strange.
This Black/Black landau Mojave was located in Green Bay Wisconsin. At some point the owner must have “augmented” the multi-colored interior by swapping out the stock Black carpet for a Camel Tan carpet.
The rest of the interior looks to be all original, and upholstery on the door panels and front seat backs shows how thoroughly Olds slathered the interior with Mojave patterned velour. According to the seller, this car was one of just 637 Cutlass Supreme Broughams produced with the Mojave Designer Interior for 1979.
I had guessed that maybe ½ of 1% of all Cutlass Supreme Broughams had been equipped with the Mojave trim. Given that 137,323 Supreme Broughams were produced for 1979, 0.5% would be a mere 689 cars, so perhaps I’m right on the money.
Now let’s use the same formula to guesstimate the Tahoe trim take-rate on the even lower production Salon Brougham and Cruiser Brougham models. Just 18,714 Salon Brougham Sedans and a scant 3,167 Salon Brougham Coupes were built for 1979. So applying the same ½ of 1% math to the 21,881 Salon Broughams units produced would dictate that only 112 “Aero-backs” came with Tahoe trim.
The odds weren’t much better for Cruiser Brougham Wagons with Tahoe interiors: a production run of 42,952 would yield just 215 units with such an estimated low take rate.
So finding any Cutlass with a “Tahoe” interior online proved to be almost futile. In fact, I found but one shot, in the Comments section of Curbside Classic from this December 28, 2011 post on a 1977 Pontiac Bonneville. Commenter GrangeRover added a pic from an eBay listing from around 2010 or so. And that is the only real life shot of any Cutlass “Tahoe” interior that I could find in my online search. Does anyone else have pics of Tahoe trim from an actual car?
As for Mojave trim, believe it or not, I have actually witnessed one in person, though it was many years ago. In 1986, when I was in college in Connecticut, I parked in a student parking lot that was also home to a Black/Black landau 1979 Cutlass Supreme Brougham—with Mojave interior! I didn’t directly know the girl who drove it—she was a different year and not in my social circle. While we would smile and wave at each other, I never had the gumption to ask her about the Mojave Supreme Brougham. Somehow asking about her car’s wild interior would have seemed like some sort of a bad pick-up line. So alas, I know no more details about that car, or what ultimately happened to it. But at least I did see an example of a 1979 Cutlass Designer Edition in the flesh with my own eyes.
How many of you have seen a ’79 Cutlass Designer Interior, in either Mojave or the potentially even more obscure Tahoe trim?
Ouch, my eyes! That’s a heck of a thing to show me first thing in the morning.
Like Iron Eyes, this native american design fad reminded me of Grey Owl aka Archie Belaney, an English WW1 vet who hid himself as an authentic native. Fake!
Ive been looking for info on this car for 30 years. I owned a Mojave interior version in 1986-1989 while i was in college. We nicknamed the car the
“Conquistador “. So were not far off from the actual Indian name GM gave it. My college friends and i still discuss this car. If i could find one id buy it!
Robert, what do you think of my ’78 Olds Cutlass with the Mojave cloth interior?
I love this Olds!
I remember the ’75-’77 Charger had a similar option (I want one.) Jeep Cherokees had stripe kits with a Native print design.
Prime time Cher… nice.
I think the soaring popularity of Cher back in the day was directly related to her costumes…
Most of Cher’s costumes were designed by the award-winning fashion and costume designer, Bob Mackie. Bob was also the costume designer for Carol Burnett and his most famous costume was the “curtain rod dress” worn by Carol Burnett in the “Went with the Wind” skit, a parody of “Gone with the Wind”.
Wow… just wow! So maybe the drab gray interiors of modern cars isn’t such a bad thing after all.
One other tidbit related to the resurgence of interest in American Indians in the 1970s is that the number of Indians counted in the US Census grew by something like 75% between 1970 and 1980. That’s far in excess of what would be possible given a natural increase (births minus deaths) alone. Most of this increase was apparently in urban areas, away from reservations, and it’s thought that many people started identifying as Indians due to the positive perception in popular culture.
Back to the cars here… that Mojave design has got to the the busiest-looking upholstery to ever grace a car. Oh, and Indian-inspired seat designs do still live on in places — my in-law’s have an Indian-style seat cover over the vinyl bench seat in their F-150.
Gad, how did I ever make it through the 1970s? Those “bold” interiors were every bit as much of a (short-lived) fad as 3 tone paint jobs had been in the 50s. Sorry, but these are simply awful. And fabulous, all at once.
Even AMC got into the act with its Navajo interior in the Pacer. A girlfriend had one of these (in blue) when I was in law school in the early 80s. What must have been one of the most appealing Pacers ever built in 1976 was truly cringeworthy by 1983. I would probably be quite happy with it now, purely for the camp factor.
JP, I can only imagine what the once-fashionable Pacer w/ “Navajo” interior, or the “Mojave” interior-equipped Cutlass, looked like to a reasonably modern adult in ’83.
I was an elementary school student by then, so I don’t have that complete perspective. I can say decisively, though, that my older brother’s bell-bottom trousers that I was forced to wear as hand-me-downs as late as ’85 were probably as “hip” or “cool” as any of these designer interiors of the ’70s were by the mid-’80s.
So, I guess I sort of get it. 🙂
Yes Joe – That Pacer must have been a looker when it was new, in a bright metallic blue, white vinyl roof and alloy wheels with whitewalls. I drove the car once in 1983, in a condition that was on the way downhill with a little body rust and some interior cracks and tears. I vividly remember it as the only car I have ever been actually embarrassed to be seen driving. And this from a guy with a high-mile Plymouth Scamp that was a dozen years or more old. 🙂
That special cloth interior was actually quite common on Pacers, and tastefully done, I might add!
The Mojave interior was utterly cringeworthy in 1986 when I parked near the car so equipped–that was one of the reasons I didn’t have the gumption to ask any questions of the girl who drove it–I’d imagine she was rather embarrassed by it at the time. Ironically, other than this particular interior, the ’79 Cutlass still looked reasonably contemporary overall for at least a decade after it was built–which was one reason the resale values were so strong.
Wouldn’t it be great to half even half of the colour options when buying a car today? Here is a wild Mopar interior.
https://youtu.be/D0kaMr4Wm6Q
Not “you call it corn, we call it maize”, but rather “Maize; what you call corn”.
IIRC.
Actually, turns out there are several variations of the line that Mazola used during the life of the campaign. YouTube has a bunch of the different ads–I viewed them all, as I couldn’t remember the exact wording. I do know that it was spoofed for years, including in Modern Family not that long ago. “Maize/corn” is a great example of one of those cheesy lines that just won’t go away.
Great piece featuring a car interior option I don’t recall ever having read about prior to this morning. These interiors are completely my aesthetic in 2019, along with those of the Pierre Cardin AMC Javelins and Gucci Hornets. Loved the popular culture tie-ins, as well.
These downsized A-Body Cutlass Supremes / Supreme Broughams were, hands-down, my favorites of the 1978 – ’80 crop from GM.
My best friend growing up had that Pierre Cardin interior in his ’74 Javelin.
I helped him transfer it from a junk yard Javelin with a seized up engine to his 304 3 speed Javelin.
When we were done and looked at the extreme orange paint with white trim (custom and not stock color) and this interior, the only word that came to mind was Shazam!
As someone said in a prior post, “The seventies made a lot more sense in the seventies.”
Hopefully you won’t turn to stone….
(…truth be told, I actually kinda liked it. ;o)
Rick, thank you for posting this picture – it completely reinforced why I loved the idea of a performance-image car with a designer interior like this.
And I love the ’70s “Shazam!” reference – I can imagine how all those colors combined to this effect. 🙂
Even Cadillac got into this game. I actually saw one of these 75 Cadillac Fleetwoods listed in the L.A. Craigslist last month.
How “Politically Incorrect” those Indian blanket seat covers would be considered today!
What my deep South Grandmother would had scathingly described as “Common and Tacky”.
Sorry, I can’t figure out why my pics of the 75 Cadillac Monticello interior aren’t loading, even though it shows as file attached before I hit the post comment tab.
Not sure what is causing your technical issues, but I did find a pic of the ’75 Cadillac Monticello interior, which certainly adds to the “shocking upholstery” patterns we are covering in this post!
That Cadillac interior looks like a jello salad that would have been popular right about that same time.
I believe that it was made by combining cherry jello and Kool-Whip in a bowl before the jello got too hard and then the resulting mixture was poured into a mold/ring to harden or just served out of a bowl.
Thee *perfect* metaphor.
Some of those mid 1970’s Cadillac interiors were as colorful and they were gaudy and tacky.
The same generation Lincoln had a much more dignified, restrained interior; the epitome of “quite good class”.
Which one has stood the test of time better, Cadillac or Lincoln?
The “Crying Indian” ad shows just how clueless folks were back then, using an Italian American actor. And all those garish upholstery options just confirms it.
Good luck trying that today.
During our first ever road trip with motorhome in 1977, we stopped at a supposely Native American gift shop somewhere in Arizona. After five minutes of browsing, we left suddenly in disgust because we found lot of Native American stuff with MADE IN HONG KONG labels. Go figure.
I don’t know if he had this interior package but my grandpa did have an Oldsmobile in this era and he never seemed to move on from the Native American print fad of the 70s. His condo in Denver (purchased in 1981) was loaded with patterns, and in hindsight he also maintained a strong tan as long as I knew him.
Jeep seemed to capitalize off of the fad the most, it’s all over graphics packages and period brochures may as well be pueblo tourist pamphlets. The Cherokee nameplate itself a direct descendant of America’s love affair with the culture.
Cultural appropriation aside, to me it easily beats an inoffensive monotone grey interior.
Indeed, of all these things only the Cherokee nameplate is still alive and well in 2019. I’m surprised Pontiac didn’t capitalize on this more and reintroduce the Star Chief. I suppose the Aztek was a far (south) reaching grab. And now that I’m thinking of it, was the Mazda Navajo purposely named because of its position against the Jeep?
Re: the interiors, I agree… these are simply outlandish but the customization puts today’s market to shame… just imagine modern cars offering current-era appropriate graphics. But alas… If they had survived, Oldsmobile’s “Can We Build One For You?” would be “We’ve Built One For You“ or some similar nonsense.
As tacky as they are, at least cars had some style back then!
I had forgotten about how much American Indian culture was a thing back then.
….and Cher, again:
The second Cutlass Supreme Navajo doesn’t have camel tan carpets, but rather the original black carpeting with camel tan floor mats on top of it (and not even carpeted mats it appears). Car looks very original. Garish as it is, I kind of like it; it’s a nice antidote to the barren, dull interiors in new cars.
Pontiac did have an optional custom upholstery choice for the ’79 Bonneville to replace the departed Valencia trim. I can’t recall the name, but it was off-white/light grey with charcoal accents (or the reverse), little black stars or diamonds on near-white cloth IIRC. Anyone remember what it was called or have a pic? Don’t think it survived into 1980.
I can almost see these two interiors working in a station wagon as they would appear to do an excellent job at hiding stains, at least the Mojave would be a good choice.
Of the 2, the Tahoe looks like a good choice for a truck or SUV…and oddly enough, General Motors built a vehicle called Tahoe.
Excellent research, and fun topic, as always GN.
One of my favourite pop bands of the 70s was Redbone.
Besides some great socially relevant tunes, they also released perhaps the best ‘swamp’ rock tune of the 70s.
With a tip of the hat to John Fogerty and the Blue Ridge Rangers.
A marvellous trip down memory lane – thanks, Daniel M!
To keep with the motif of this thread I just had to mention the 1974 song “Think People” by TRIBE off their “Ethnic Stew” album from ABC Records.
I don’t know how to add the music/video to the site, but “Think People” is on YouTube so take a listen. 🙂
ALSO, I like the Tahoe interior a lil’ better than the Mojave interior but I find both interior patterns fascinating. I’d never seen them before today. The Mojave pattern sure is ‘busy’ with all sorts of shapes and images; much more so than the Tahoe.
Herb tarlik from wkrp in Cincinnati would appreciate the fabric choices
If anyone remembers the wrestler chief jay strongbow be also was an Italian american
Remember Mel Brooks as the Yiddish speaking Indian in ‘Blazing Saddles’?
Didn’t know what it was, but I shot this one at a show in Lansing in July 2015.
The splashy interior makes a nice contrast to the basic black.
Correct me if I`m wrong, but didn`t Chrysler offer a ‘Navajo inspired’ interior on some of their postwar cars?
I know that the red plaid “Highlander” upholstery was a Chrysler thing in the early postwaryears, but I am drawing a blank on an indian-style fabric.
Love these colourful patterned interiors. What was so wrong with the seventies anyway? 🙂
Disco , big hair , Jimmy Carter,and polyester leisure suits.
IMHO, the Seventies were certainly better than the past two decades — huge variety of music (including disco), great TV shows, no Internet, no cell phones and an amazing assortment of cars (models, body styles, colors, etc.). I’d gladly trade the bland cars and SUVs of today for the great variety of the Seventies, with a multitude of interior and exterior color options!
When it comes to movies, the Seventies were MUCH better than today:
The counterculture fashions of the late 60s early 70s America were mostly of Native American influence. headbands, fringed coats and vests, moccasins, turquoise jewelry etc. It would seem that the kids of Woodstock were making enough money by the late 70s to buy a new Cutlass and still hang on to a little piece of their youth. Emulating a style isn’t always mockery. If we want to talk about automotive racism there’s the Studebaker Scotsman, the cheapest most bare bones full size model with a name to “honor” the thriftiness of the Scottish people.
I owned one of these in high school in ~1987-89. It was my first car. Montezuma! Black with what I thought was called “Aztec” interior but apparently it was actually called Mohave. Bought it for $600 and sold it a couple years later for the same. Old Monte always smelled weird and anybody who rode in the backseat would get a headache. Good times.