One of the things I really enjoy about CC is that we look at cars as found. Curbside. Like the name says. That’s not to say we don’t enjoy car shows or museums along the way. We find a lot of interesting subjects we would probably never see on the street, and they have been a lead-in to many a fascinating feature. But we also see cars in the wild, often with the battle scars and weathering that result from general daily use. Even in wrecking yards. From the cradle to the grave, so to speak.
You can build models like this too. It takes more care and attention, and a different skill set. It involves going beyond the instructions, outside their recommended paint colours. Also, as always, practice. Builders of military subjects are especially adept at replicating weathering and battle damage. There are modellers who build ‘post-apocalyptic’ cars – Mad Max-style builds with incredible added weapons and such. These need way more than just a flat black paint job.
I don’t go there. My weathered builds are just ordinary cars like I saw in my childhood, still see on the street occasionally, or ‘barn finds’. Sometimes I’ll add a dent or two, or some holes for rust-through, but more often I’ll use paint to give the suggestion. One of these days I’ll have a go at weathering a newer car, once I figure out how to get just the right crazed-grey-plastic effect. I haven’t been sufficiently motivated yet. And, as always, I don’t claim to be an expert. I just aim to have fun.
Let’s begin with an ordinary car that just needs a wash. To make it a bit more interesting, say it’s a country car that’s been on some unmade roads in the wet. I see a lot of that around here in winter. This 1953 Ford shows general road spray with some localized mud splashes. This is comparatively easy.
This Lancia Stratos was a very early (and not altogether successful) attempt at adding some visual interest to a common rally car model.
Then we get into more serious weathering. Think about what you see. Clear coat (if any) peels. Paint fades. The shine gradually diminishes – but not equally on all surfaces. Roof, hood, trunk and fender tops may become bleached by the sun and perhaps fade back to bare metal.
How long did old pickups remain shiny for? They were lucky to get parked in the shade.
This Model T Ford could be either a barn find or an old survivor on its last legs in the fifties. Dust, dirt, faded paint, some bare metal here and there, and a few patches of rust.
Consider how rust appears. It varies from one locality to another. In some areas cars rust from the bottom up, but in the tropics it’s more likely to be from the top down. Around here it’s more likely to appear first down the bottom of panels with blocked drains, or under bolted-on trim strips. Maybe on those sun-bleached horizontal surfaces. And it’s not always the same from one car to another. Susceptibility to rust varies from brand to brand.
I first became interested in weathering when AMT released the ‘Diamond in the Rough’ set in the mid-eighties, comprising a ’53 Ford pickup, a trailer, and a pre-damaged ’40 Ford sedan. The challenge was in the paint, and getting the effects I wanted.
A fine wire brush in a drill applied from the rear of panels will thin the plastic, and with care can be made to give the appearance of torn metal. A brown wash with a touch of gold will give the appearance of rust – but nowadays some of the model paint suppliers offer many different shades of ready-mixed rust paint! Here I’ve lightly sanded through the rust coat to the blue paint and underlying grey primer.
I also had a go at weathering the glass to match the milky effect you often see.
This flatbed Ford’s missing the grille bars – a fairly delicate piece that would have been easily damaged in rough usage.
For added realism, this down-at-heel gravel company truck has some dust and gravel from my driveway in the bed.
This ’41 Chevy is more heavily rusted, and based on some of the trucks I saw around as a kid. Rust around the windshield, paint rubbed through where the driver rested his arm on the top of the door – and that once-common drooping door handle. And scrapes on those bulging fenders that were often so hard to judge. Mustn’t forget the greasy fingermarks around the fenders and hood; they often give trouble at this age!
This ’60 Chevy bears the markings of a Victorian stock and station agent. This one’s definitely a wrecking yard find; it would never have been like this condition whilst in service! Gippsland is a notoriously damp part of the state, so this rust is quite appropriate.
VW pickups were never common, but the ones I did see always seemed to be overloaded and worked to death. Mainly a lot of surface rust on this one.
Nowadays I always add some weathering to the chassis and engine bay of almost everything I build. Some judicious grease and oil stains, and perhaps a bit of scraped metal enhances visual depth, and adds to the illusion of realism, as on this Skyline;
Next year – Colours!
More outstanding work Peter! Really appreciate this next level of authenticity. You obviously did a lot of practise in advance, to confidently achieve these realms of realism. This is the extra kind of detail and accuracy that really shows your talents. And I appreciate as a fellow artist. The textures are really nice. And the nuance and accuracy of your colour choices, always very well done. Weathering is convincing in every example.
Again, these belong in museum dioramas. I imagine them in various work life scenes. They are that attractive, and professionally rendered. Thank you again, for sharing your collection!.
Do you use other types of paint, such as acrylic or latex, went you weather your models? Also, to increase texture. Do you make your washes, using thinned model paint?
Thank you Daniel. As I was writing this, I was wondering how you’d react to these!
My weathering is very basic, compared to what can be done. I’m mostly self-taught, and just try to replicate what I’ve seen – or at least give a credible illusion.
The ’40 Ford was my first attempt. I’d read a few how-to articles in the late lamented Scale Auto Enthusiast magazine, and just had a go. How hard can it be? That one is all home-made enamel washes; I hadn’t discovered acrylics then.
The ’53 Ford’s road spray effect is acrylic spray applied from about four feet away. That was kind of experimental; I really wasn’t sure how that one was going to turn out.
Nowadays I’ll use an acrylic or a lacquer for the basic body, often a semi-gloss or flat if I’m going to weather it, sand through from the colour coat to the primer in patches, and use mostly enamel washes, some readymade, some my own mixes. The T in the lead photo however is all brushed enamel with rust and mud washes, and drybrushed steel here and there, no spraywork at all. Just to be different.
Thanks for sharing your collection Peter, and also explaining your approach, and techniques. Just great work! And excellent, that so much is now documented online.
If you are largely self-taught, then you really do have a strong meticulous ability, and natural artistic talent. As these examples are so consistently well executed. Definitely a perfectionist.
Very enjoyable and appreciated as well, how you share anecdotes, and further knowledge in both your posts and in comments as well. Outstanding creativity and workmanship, that regularly inspires me (and others)! Thanks!
Thanks for your comments Daniel. You’re one of the guys who inspired me to start writing these. Until the advent of internet groups and social media I hadn’t realised I was doing anything all that special. It was only when guys started commenting regularly about the colours I’d chosen for a build that I realised I might have something here. To me it was just “well, this is how I do them”.
Artistic talent runs in my family. Grandpa carved wooden chains from a single baulk of timber. All his daughters taught piano. My mother retouched and colorised photos. I do these models, and write fiction. My daughter plays flute (by ear; doesn’t read music) and does beautiful cartoons. My son scratchbuilds amazing HO-scale trains (ballast cleaner below). The grandkids are too young to show an obvious predilection toward any particular artform, but I’m quietly waiting to see. Surrounded by so much adult creativity, they’re sure to pick up something.
There are always plenty of anecdotes! And I’m always happy to share techniques I’ve discovered. Now that I’ve been writing these for a while, I try to keep myself to a rough word limit, let the pictures do the talking (said to be worth a thousand words, so…), and tell more in replying to comments.
*Amazingly* talented family! Wonderful, that you each have each other as inspirations. Very cool. Your son’s ballast cleaner is incredible!
I’m surprised that pre-Internet, you didn’t have a rapport with other hobbyists in your community. Or perhaps acquaintances at you local hobby shop. Tough, perfecting a skill alone. As my dad used to say, ‘mind over matter’. lol
Huge pleasure enjoying your commentary, and posts here. As well as your fantastic work!
I learn so much from your posts, thanks very much for sharing.
Your son looks to do excellent work too! Very impressive. As Daniel notes, a very talented family. All I do is take stock models and detail as needed to represent the prototype, including weathering. This is an HO scale SD40-2, I’m not thrilled with the way the radiator panels at the back turned out but otherwise its OK.
My son did his heavy diesel apprenticeship working on track maintenance equipment, and eventually got flown around Australia to wherever there was an unusually serious breakdown. As the apprentice, he was often the only guy skinny enough to slide inside the ballast cleaner and do some of the work!
Nice loco, Trainman. Here’s some more of Ben’s work.Yes, it’s operational, he got some special mechs from Japan for his narrow-gauge industrial locos. He loves researching and replicating the most obscure stuff.
This whole series has been very impressive to me, having next to zero skill at fine detail work. This batch though, is real master work. Just amazing stuff.
Thank you.
Very impressive! I recall the first time I saw this kind of work. It was the first Star Wars movie in 1978. My Dad, an industrial designer and model aircraft build called it “dirtying up”.
Very impressive! I recall the first time I saw this kind of work. It was the first Star Wars movie in 1978. My Dad, an industrial designer and model aircraft builder called it “dirtying up”.
Yes, I remember being amazed at Luke’s ‘speeder, and only made the connection to weathering models after reading some magazine articles about dirtying up. It’s still awesome work; my kids and now my grandkids are into Star Wars. Ageless!
Just chiming in to say that I really appreciate seeing your work. The VW pickup is my favorite in this batch, followed by the 1960 Chevy pickup. That one looks just like the one I found in Houston last month (and had in my post about art cars). Your model is closer to the color that the truck actually was in person.
Great models!
Thanks Jeff. From Australia it’s hard to imagine a Chevy truck in such a colour but it’s on the US colour chart! As usual, I just grabbed something that looked close.
Color me impressed, once again. Some of these are superb, especially the green coupe.
Thanks Paul.
If you had a count of your total inventory, I’m guessing it’s in the (at least) hundreds of cars and trucks? Awesome collection!
Yeah, it would be (just) low four figures. I was shocked last year when I counted up how many models I have photographed, then added ones I know I don’t have photos of, and found some I’d forgotten building! But then, considering I’ve been at it for about 55 years now, maybe that’s not so bad.
Wow.
Wow – this is outstanding. I love reading about your processes for doing these – quite a bit of trial and error involved. Gee, the new ready-mixed rust paint sure takes the fun out of creating your own rust though!
The ’53 Ford and the 1960 Chevy truck are probably my favorites here – I can just picture that Ford driving along messy rural roads.
With the Gippsland truck, did you do the side lettering as well? I see that Gippsland & Northern Co-Operative was, in fact, a real business until 1967, but it’s obscure enough that I’d be surprised if the lettering was part of a kit. That truck looks might authentic.
Thanks once more for sharing these with us!
Thanks Eric!
Not only is there rust paint in many different shades, but there are also multi-part rust kits that enable you to develop a real/realistic (claims vary) rust effect on any surface. Tales abound of rusty Corvettes appearing at model shows, when people don’t do their research! I’m mostly content to just fiddle around with what I have at hand and see what I can do.
I remember passing the Gippsland and Northern company office in Warragul as a kid, and saw their vehicles around. Never noticed the company disappeared though. Something about the name lodged in my memory banks. The markings? They’re decals for an HO railroad boxcar, rearranged to fit the Chevy body. I’ve done a series (here he goes again!) of trucks using meant-for-railroad markings. Show you another time. G&N wouldn’t have used the Chevy though; I’m not even sure that model was sold here in real life.
Aha – I hadn’t thought of scale railroad decals. Makes perfect sense.
From some quick research, it appears that Gippsland and Northern merged with a few other cooperatives in 1967, and the name disappeared after that. I’m glad you’ve memorialized it with this truck!
Fantastic work Peter, my favorite round so far! Especially the Ford in the boonies and the VW T1 stand out.
Thanks Johannes. Yeah, there were real cars I had in mind as I did these.
The Ford: as a kid I’d go on business trips around country towns with my Dad, and he’d often find someone going a good pace and tuck in behind for safety – if a ‘roo came bounding out of the bush they’d hit it, not him. These Fords, well, the Customline sedans, were common bush cars through the sixties. Tough, easy to fix, and by then cheap – if you could afford the fuel bill.
The T1; The real pickups were rather uncommon here and the ones I did see tended to be worked harder, overloaded, the rear panel dirty with exhaust soot, their little 30 or 36-horse engines screaming away as they struggled to shift their load. Living near the beach they’d often rust away; I think I got all the right places!
Great builds! I never seem to start to do a weathered project, usually it’s a way to “save” a model whose paint didn’t come out well.
Thanks! Most of these I started wiuth the intention of weathering. The ’41 Chevy was originally just faded paint like the ’50 Ford, but I started tinkering and one thing led to another.
Very interesting to see less than pristine models like these; it certainly makes for a change. Back in the ’60s and ’70s rust in particular was more-or-less a built-in problem, but it’s usually ignored. Great work, Peter!
Thanks Bernard. Growing up near the beach and washing the family car (Series 2 Oxford, ’62 Falcon, ’67 Falcon) every weekend I got to know rust pretty well! Dad kept that last Falcon until his death in ’89, by which time the rust had passed from serious to downright scary.
I took this picture of the rust on a former neighbour’s son’s car in the mid. ’80s by which time Victor 101s like it were rarely seen anymore. Recreating the perforation seen here would make for an interesting project and something I really ought to have a go at for my 1972 period project.
Bernard ;
I encourage you to go for it .
In the flesh I hate rusty vehicles but looking at them is fine .
-Nate
These are all fantastic ! .
I like the green Coupe in picture #6 the best, it looks like the beaters I saw everywhere as a kid .
Your attention to detail is very good, please share more .
-Nate
Thanks Nate. My next feature will look back over some of the models I built this year (I’ve slowed down a lot), then I’ll take a break over Christmas and resume in the new year. I have another fourteen themes for stories roughed out so far.
Here’s another view of the old Plymouth.
SWEET ! .
In the mid 1970’s I knew of two or three of these unrestored being loved and driven .
This looks like my average project car when I drag it home .
Maybe I should try writing a C.O.L. about my 1959 VW Bug, it’s a piece of junk but runs out very well and I’ve been compounding the paint this week so it doesn’t look like it’s an abandoned car now .
God knows I have pictures, I just don’t know how to write very well .
-Nate
+1 That is one beautifully enhanced build!
Wonderful, we have so many themes to look forward to in 2024.
It’s interesting that you started making your superb models look like back-row $299 hopefuls at the Dodgy Brother’s Used Car Emporium long before the trend towards preservation – and dirt-retention, and dubious bits of hay and probably fake mouse-poo, for all I know – reached the world of actuals cars. You were ahead of your time: I wasn’t. I was always a bit odd from when quite young for absolutely loving original, totally non-special cars, well before that was much of thing, but I wrinkled my nose at actual rust or dents in similarly-aged road competitors. I think that’s because a lot of what I owned subsequently was already thus blessed (by a vengeful god, it seems, in my case), and one got depressed by constantly espying the ineradicable flaws. For sure, my current steed – well, nag, really – has considerable signs of its considerable use, and I don’t care because I don’t have huge need to use the thing much, but when I do wash it, the wrinkles and sunspots and various paint additions from other sharing car-parkers round here do not please me. It looks then too much like a crappy 20 y.o. car, betraying to me the fact that it is. And here you are, re-creating the crappy 20 y.o. cars of your youth! (Though they are in fact exquisite).
You have been very generous to the T1 ute. If it’s, say, a ’61, then it’s a minter, as seen in about, oh, ’65. As you know, they installed special oxidization packages on the T1’s at the Clayton factory here, though VW have long denied it, and a contract with Holes R Us was once spied too (a veneer of Dulux barely covered them at the build). They were surely the most appallingly rust-prone vehicles ever made. These days, with them worth amounts in no way justified by their intrinsic worth, people will say they “restored” them – but they didn’t. They paid their initial $20k for four rusted metal panels and a swing axle, and the remaining $60K in reproduction bits from 2023. It is well-known that there are no actual survivors: even new ones kept in humidified storage and never driven were found as piles of oxide and magnesium and a number plate just 20 years later.
I cannot deal with the rat-rod look when it’s sometimes done to T1’s. The bloody things never DIDN’T look like that, and it doesn’t add to their dignity to be returned by artifice to their former, and permanent, faded glory.
More please, sir.
Ah, Justy! I was wondering what you’d have to say.
My hands-on experience with rust goes back to My First Car, whose COAL has been written up and is around here somewhere. Up until that point I had merely been an observer; henceforth I would be a participant in this form of metallurgical warfare. In southern but not coastal Victoria, it rusted in the sills and behind the rear wheels. I never let it get as bad as the poor Victor Bernard shows above, but regularly employed my rudimentary bodywork skills wire-brushing, filling and respraying. This was back in the Prechildrenian era, you understand, when there was time for such pursuits.
So here I was recreating something I was all-too-familiar with. Know Your Enemy, and all that.
From the look of those front indicators the T1 ute is somewhat later. From my observation those were uncommon in local production, they weren’t what we usually saw here. Hasegawa claims it to be a 1967, which (if so) would make it the end of that generation, and thus a fitting subject to commit to styrene. I had fun messing up the T1; now that I look back on it I see a few things I could have done better, But that’s always the way. Some guys go back and rebuild some of their earlier efforts; I just seem to build more…
When did it become okay to change the factory nomenclature on old VW’s ? .
Typ I’s are Beetle, K-G and derivatives .
the 3/4 ton commercial chassis here (one ton after 1961) are Typ II’s ~ always have been and always will be .
-Nate
It became ok after the passage of time made it impossible for Type A salesmen to distinguish which particular rusted particle was which in the vacuumable piles of rust – supposedly whole vehicles each – that were for sale on their old VW-specialist forecourts.
Ah,
I see .
=8-) .
-Nate
These are fabulous! I recall turning one kit into a beater – it started as a 1970 Ford “Police Interceptor”. I later became dissatisfied with the quality of my paint work on it, and took my inspiration for next-steps from the 1970 Fords in real life that were rusty beaters by then.
I recall creating rust-out areas by softening the plastic with glue and gouging the softened plastic out with a small knife. Then I masked off one fender and painted it a different color, as if replaced by the first decent one found at a junkyard. I think I took the hubcaps off and gave it two black wheels and two body-color wheels, all of them dirty and rusty. I should have kept working on this idea but that was the only one I ever did.
Thanks JP! That Police Interceptor kit is still around, or rather, back yet again.
Your description reminds me of a model I saw in a magazine back in (IIRC) ’84. The new Mustang convertible kit had just come out, and this guy built one as a beater, even down to the sunken convertible top complete with muddy puddle, and paint-pen markings on the panels. Sure-fire way to make your model stand out. Not many models of new cars around nowadays…
I like your work, especially the ’53 Ford. I have done some weathering and making beaters off and on over the years. In fact, my workbench is sort of a junkyard diorama complete with a couple of open front sheds and a board fence. All the cars ( about 25) have some sort of weathering and are mostly old incomplete models. I occasionally “rescue” one and rebuild it. It limits my workspace somewhat, but It ads to the atmosphere.
The largest weathering project I have done was my scratchbuilt Jim Rockford 1/25 scale trailer. I tried to make look as authentic inside and out as the one on TV.