Back in January of 1981, the group Blondie released “Rapture”, which was a multi-format smash in the United States – placing at #1 on the Hot 100, #1 in Dance Club Play, and #33 on the Hot Soul Singles charts on Billboard Magazine that year. This song, taken from their sixth studio album, “Autoamerican”, also charted in over ten other countries, internationally. I grew up listening to a fair amount of Top-40 and Urban Contemporary music starting in the ’80s and became familiar with the musical tastes of a broad cross-section of people in my Rust Belt factory town of Flint, Michigan. Blondie, however, was one act that had managed to elude me almost completely.
I was barely in grade school when “Rapture” was a huge hit (the fifteenth-biggest song of ’81 on the Hot 100). My older brother, who is almost seven years older than me, had amassed a decent collection of records and tapes by the dawn of his high school years around that time. As it turns out, he just couldn’t stand Blondie, which is why I never heard their songs out of the speakers of our Fisher Hi-Fi in the living room. It wasn’t until my college years in the ’90s that I had bought their “Greatest Hits” CD by mail order through Columbia House (or BMG… I honestly can’t remember) and danced to their songs at “Old Wave” nights held every Tuesday at the Florida Theater in Gainesville.
Deborah Harry’s airy, humorous, sing-songy rap in the middle of the song (at approximately 1:54, above) usually makes me smile. When she gets to the part of the narrative when the “Man from Mars” eats the subject victim (who, somehow, lives on inside the Martian even after he’s been shot dead and with his head eaten), I have sometimes, literally, laughed out loud. It’s not that I find death by hungry Martian funny, but the best part of that rap is when his literal “taste” in cars is brought to light. Apparently, our Man from Mars chooses to eat “Cadillacs, Lincolns (too), Mercurys, and Subaru” – the last of which is curiously left as a singular, proper noun – as if the Martian had eaten just one ’78 Subaru BRAT and decided one was enough.
The mental tangent that all of this all sent me down was the following premise and question: What might be the Martian’s impression of the taste of each example from these four makes? Admit it to yourself, faithful CC Readers – this isn’t actually the nuttiest piece of mine that you’ve ever read. So here goes…
Cadillac. The “Standard Of The World” would be cuisine that is unadventurous, all-American, and luxurious. Good choice, Martian. If you’re going to eat a car, why settle for a Chevrolet? This Cadillac is rich, savory, and nutritionally well-balanced, if a bit on the generous side for a single serving – even for a Martian. There are no surprises with the way the Cadillac tastes. This is the most popular dish on the menu for those looking for something fancy and palatable.
Lincoln. Since our Martian has already eaten one American luxury car he liked, he has decided to sample another. This platter is even more traditional than the Cadillac – so traditional, in fact, as to seem a little old-fashioned, not unlike an actual Old Fashioned in a lowball glass. Still, this meal tastes good – even better to our Martian than the Cadillac, as he then decides to see what something else from the Ford Motor Company stable tastes like. (Notice how he skips right over any meals from Chrysler, whose offerings, though pleasing to the eye, smelled like death at the time.)
Mercury. “Wait a second,” says our Martian to himself. “This doesn’t taste like the Lincoln at all.” He’s disgusted, as the early-’80s-vintage Mercury is derivative and tastes just like a Ford, only with extra dressing and spices. “Blech. If I wanted a Ford, I would’ve just eaten a Ford, instead of one that’s been marinated in Brougham Sauce with all those extra, empty calories.” However, with one look at an ‘80 Ford Thunderbird (to which he says, No, thank you), our Martian decides to try something completely different than what he’s been noshing on.
Subaru. The Subie is exotic, flavorful, and completely out of the ordinary. There are flavors here mixed together that have never hit our Martian’s palate at the same time before. Completely intrigued by this Japanese fare, our Martian’s appetite has returned sufficiently (after having looked at the ’80 Thunderbird) – so much so, that he “keeps on eating cars!” I wonder what was the year, make and model of car our Man from Mars ate last. Whatever it was, I hope it tasted good, didn’t leave an aftertaste, that he had some gum, and that he also remembered to floss afterward before he commenced eating bars and guitars. And you don’t stop.
The 1st ever #1 rap tune, ironically done by a blond white chick…
The first time I ever heard “Rapture”, I asked my freind who was playing it, “What the f%#K is this s%#t?” He informed me that it was a new kind of music called rap. I told him that it would never amount to anything. I’m still in disbelief.
Between Rapture and Rapper’s Delight, which my local roller skating rink played incessantly my senior year, I knew music was going to change again, and this was just as 80s New Age was starting up and Punk was self-aborting. The Clash were the Beatles of Punk. Hair Metal was next, then 90s grunge. Those have all passed into nostalgia territory…but rap is still here.
Please note there are no rappin’ oldies stations. That is fine with me.
There is a classic hip-hop station in my area though. I’m usually set on listening to it.
The BRAT was dessert after all those heavy, bloated American calories, I envisioned it as a macaroon meringue cookie. “It’s wafer thin, Mr. Creosote”
http://www.teacher-chef.com/2014/04/13/macaroon-meringue-cookies/
Those cookies look so good. I kind of want one of those *right now*…
When done right, they’re like biting into a flavored cloud. They’re basically sugar and egg whites whipped together.
How about a mid afternoon energy (horsepower) bar to hold you over till dinner & they come in your choice of colors. two other available colors not shown.
Turbo-licious! 🙂
Blondie was very popular in Canada. The caddy and Lincoln of the time was actually pretty classy. I don’t see caddy as a classy car anymore. Nice cars… But not classy.
Wow, CC has become the place for firsts in rap. And what an intriguing concept, what these cars might taste like.
I would suggest that the Cadillac is like a sirloin steak dinner with a baked potato. The Lincoln is a sirloin steak cooked slightly more rare with a twice baked potato (with extra cheese). The Mercury? A Salisbury steak with mashed potatoes and gravy. But we all know that a Salisbury steak is nothing but the same hamburger sold by Ford but dressed up to look like a real dinner.
Subaru? Something completely different. It probably involves sprouts or arugula.
The CC effect works in music too. Last evening (on the day this came up) Mrs. JPC and I were watching a show recorded on the DVR. One of the ads was for something on the network, one of the upcoming late night shows I think. Who was one of the featured guests? Debby Harry! I think I impressed the Mrs. with my knowledge of pop culture when I casually mentioned “She’s 72, you know.” 🙂
At the time (late teens), I thought DH was so hot it made it impossible to be objective about the music… I did wonder about Subaru though… maybe it was a digestive?
I believe Debbie Harry is 72 now. How time flies!
And still super hot ,watch her on you tube singing ” maria ” from just a few years ago
I saw DH perform live a few years ago at a company event just before she turned 70 and she still had an amazing stage presence. If there is ever a contest for hottest 70+ year old women Miss Harry is a strong contender.
Cars aside, the band Blondie were monumentally talented, where every song on every album was a well crafted winner, which still sound good today.
Despite Debbie’s high profile, the production of music was a truly collaborative effort. Really brilliant stuff, even on their first 2 albums which did not do well commercially.
Yep, count me as another big fan. Some of my earliest musical memories include Blondie music and I still follow DH…such talent and different styles, all done very well.
Rapture was/is a great song, the car aspect is fun, and the early rap a great blending of what was new on the music scene with the rest of the album and song, back when rap was still largely storytelling and rhyming and had fewer violent associations.
Agreed on all points, Jim – including the storytelling aspects of early rap. So many great songs from that era. The narrative in UTFO’s “Roxanne Roxanne” makes me crack up almost every time.
What a funny and fun post! Had me laughing out loud.
An aside: years ago when my son (an avowed car nut from an early age) was about 8, he heard this song and was perplexed. Why would a Martian eat “those cars?” For a child of the new millennium, no self-respecting Martian would touch a Cadillac or Lincoln–it would be a dinner of Benz and Bimmer. And a Mercury? What in the universe is that? A planet? But he could see dining on a Subaru, though a Honda and Toyota would have been natural side dishes.
Or maybe a Caddy Escalade and Lincoln Navigator? SUV’s are considers “cars” these days by average buyers.
LOL – awesome.
Not too long ago, a friend of mine that I’ve known since grade school who has a teenager had told me her kid told her to “make it stop” when she was jamming to a Hall & Oates song she and I used to roller-skate to. It made me realize just how hopelessly square must of my musical tastes must be for many kids around that age. 🙂
When we’re done with Blondie, how about The Tubes and What Do You Want From Life?
This fine single lists a whole host of consumer desirables, some sane, most mad, and riffs on cars as follows:
a new Matador, a new mastodon,
a Maverick, a Mustang, a Montego,
a Merc Montclair, a Mark IV, a Meteor,
a Mercedes, an MG, or a Malibu,
a Mort Moriarty, a Maserati, a Mac truck,
a Mazda, a new Monza, or a moped,
a Winnebago–Hell, a herd of Winnebago’s we’re giving ’em away,
or how about a McCulloch chainsaw,
Or a baby’s arm holding an apple!
Hahaha!
Pass me my sold gold kama sutra coffee pot, I have to phone Bob Dylan!
I always liked the “Gucci shoe tree”. One of my favorite songs immediately post high school. I saw Fee Waybill perform a few years ago at one of our town’s free summer concerts. A heck of a lot of 50-60 year olds erupted in applause when he kicked off that song.
I remember thinking at the time that Subaru was an odd choice after all of the Broughams listed… then I realized she just needed the line to rhyme.
Wasn’t the first rap tune to mention cars… Think back two more years to Sugar Hill Gang’s “Rapers Delight” – probably the first rap tune that put the genre on the map – mentions “two fine cars” – definitely right for the MC “Hank” (and the times) – “A Lincoln Continental”, and some sort of Cadillac (again, the latter car was chosen for the rhyme).
And in a weird sort of CC Effect… I walked out of work just the other day, whistling this very song (great progression of notes, BTW) and a co-worker said, “I haven’t heard that song in YEARS!” – I wondered myself what the heck made it pop into my head, and then realized my Honda Civic was parked right next to our IT guy’s Subaru Legacy. The sight of the odd looking sedan probably planted the tune in my head.
I nearly wore out my 8-track copy of “Rapper’s Delight.” :c)
I had the 12″ Disco Single (long version). With “two turntables and a microphone” – sorry Beck… I always had fun mixing this in the little club in Towson, MD where I was a DJ for the summer of ’81. It made a near perfect mix with “Good Times” by Chic, so it was super easy. Good Times as you know was the base riff for Rapper’s Delight. I say “near perfect” because IIRC, Good Times was 120 BPM, and Rapper’s Delight was just a hair faster. Fortunately, the Technics Manual Turntables we had were equipped with a speed control that let you speed up or slow down one of the disks as needed to pull off a dance mix.
Honestly, I don’t know how the kids do mixes today with their digital MP3 files and such! – of course this type of thing probably died out with the “Good Times” of disco. ;o)
Were you at Do Dah’s? Spent many nights there during my college days!
No, we never went to Do Dah’s… in ‘79, we would go to The Electric Circus to dance, and I was facinated by listening to the DJ there making his dance mixes between songs. I thought, ‘I want to learn to do that’….
After Disco had supposedly died in like 1980, there were a few places that still tried to hold on. One such place was The Golden Gate Lounge at the Holiday Inn on Cromwell Bridge Road. I got my chance to do this as a fun part time gig (using their equipment but my records). All of us who spun the wax there were just there for 20 minute sets during band breaks, but developed quite the following amongst some older folks from the seventies that did not want to let disco go.
One band used to play “Good Times” and heard me rapping one day when they hit the instrumental part. (Keep in mind I was a skinny white kid doing Rapper’s Delight. It was weird.) Apparently, I accidentally had my mike on while preparing for my next set and they heard me. The next night they dragged me up on stage with them to perform that song. It was fun. I changed the two cars that Hank was rapping about from the Lincoln Continental and the Cadillac, to the two cars in my family at the time… “I got two fine cars that are definitely right for me… I gotta Ford Fairmont Futura, and a Big Gold LTD”… The LTD was my first car (a family hand me down that I took very good care of) and the ‘79 Futura, my first new car ever at 19 years old. Sadly, my younger sister inherited the ‘73 LTD and subsequently trashed it.
Similar CC effect- Apple Music put this song on for me the other day and I hadn’t heard in at least 10 or 15 years, I bet.
Awesome post! I can still recite that “rap” by memory whenever I hear that song.
Yep, I did that once at the office, when “Rapture” was playing in the studio where we edit training content. The millennials around me were astounded when I got every word, right on the beat. Little did they know that I literally wore out a cassette of this song while driving to high school and college.
I followed up with Madonna’s rap, in the middle of “Vogue”… 🙂
Gotta love it, when our kids think we sit in the corner all day and drool on our lap-blankets – then know all their music. Not quite like when I was a kid, and my parents wouldn’t even listen to the Kinks or the Beatles or the Beach Boys, yet I got into Artie Shaw and Benny Goodman amongst all the other big bands.
My latest laugh, is when I got hooked on how stupid “Uncle Grandpa” is, and my grandson yells in dismay that “you shouldn’t know about that, Grampa!” 🙂
I love all music, except for rap. I attended a performance of the three popular Piano Sonatas by Beethoven (you classical fans know what those are) two years ago in Portland. A man from Portland named Phillip Mandell showed me how good a Steinway Grand in an acoustically supportive venue sounded.
I enjoyed some Big Band music at the Madras Airshow of the Cascades back in August. They were performing and singing all the good stuff from the 40s. Most warbird airshows have a band performing in one of the hangars at some point. It’d be like a surf band performing at a car show.
I used to be able to recite both the rap part in “Rapture” (and the elocution part of “Vogue”) as if in my sleep, but I tried it with “Rapture” when composing this piece and let myself down! I’d give myself a “B”.
I had recently discovered a ’94, house-beat remix of this song that has been on my MP3 player, but lacks half of Debbie Harry’s rap. I blame that. 😉
Yeah, Joseph…despite my best efforts to fry my brain in the ‘80s, I’m amazed at the useless knowledge I’ve retained! ?
Me too. I can’t remember what I had for lunch yesterday, but ask me about something from the 80s and I can answer it.
Oh man! I’d almost forgotten about Blondie, they were a staple on the UK chart from 1978 onward (I was only between 8 and 12 at the time). I haven’t heard “Rapture” in years – I guess the title was a play on words with that rap segment in it, which Debbie handled very well for a “white chick”. The lyrics are weird across the board, and so are some of the images in that video (I’m sure the conspiracy theorists have their interpretations of the symbolism in it). Your comments on the cars the “Man from Mars” eats are amusing as I am sure no one would have thought about that! Now I have heard Blondie again, the songs that stand out to me are “Call Me” and “Atomic” – I guess you could say those were my favorites.
♠ THINGS ♠
The earliest rap song I’ve ever heard was the 1968 song HERE COMES THE JUDGE by Dewey ‘Pigmeat’ Markham (1904-81). It’s part spoken word/part rap/part comedy record and runs 2:40. Pigmeat has a booming voice that works well on this record.
I’m almost ashamed to admit I still have 6 Blondie albums on cassette. I bought them all new back in the 1990s. I even special-ordered their less-successful 1982 album “The Hunter”. I think Blondie’s eponymous 1st album from 1976 is their most quirky. I remember one song from it is called “A Shark In Jets Clothing” and there’s another tune titled “Rip Her to Shreds”.
If a Martian came to Earth to feast on cars from the late 70s then he’d be ♦full♦ if he munched a ’79 Lincoln Continental. He’d need a 2nd helping of vehicle if he ate a ’79 Caddy as by then Cadillac’s were downsized and if Mr. Martian sought to eat a 1979 Chrysler New Yorker for dinner he’d likely take 1 bit and it would taste good and then he’d take a 2nd bite and retch (‘What in Martian hell is this?!?!’). Such was Chrysler’s quality control problem back then. You could get a very tasty car . . . or one made with mouldy ingredients!
The Martian threw up Subaru guts later. He also asked his Martian girlfriend to try out some American sub-compacts. She was so dissatisfied with their flavor she broke up with him and made him eat a rusty hubcap to boot!
Yes, Here Comes The Judge is a rap precursor.
But then one could say that about Dylan’s Subterranean Homesick Blues too. And that was three years earlier.
Like every other style of music, Rap can be traced back even farther. Rhyming “flow” is as old as lyrical music, Spoken rhyme with music can be found in Jazz, and Blues records by the 1920s (if not before). The word “rap” itself as an African American term for talking likely goes back before WW2. Improvised “flow”” and DJs interaction with the audience combined with dance music (popular in New York in the early-mid 70s) created the modern Hip-Hop form of Rap.
Also a music video precursor.
I’ll see you Pigmeat (which is a brilliant record) and raise you a Monkey. Written and originally recorded by Dave Bartholomew in ’57,l but André Williams did it better the following year.
https://youtu.be/EXJ07w3i6L0
Yes, Pigmeat’s contribution to rap has been noted here. 🙂 https://www.curbsideclassic.com/curbside-classics-american/curbside-classic-1969-pontiac-gto-the-judge-here-come-da-judge/
> I’m almost ashamed to admit I still have 6 Blondie albums on cassette.
That reminds me… At some point in the early 90s, I bought the “Best of Blondie” LP out of a clearance rack. Inside was a card to get the video album, so I sarcastically requested the BetaMax version. And I received it! There was a note stating it was free of charge due to production issues or whatever. So somewhere in a box, I still have BetaMax Best of Blondie, sealed in box. Make an offer haha.
And thanks for posting “Here comes the judge”, never heard that before.
I always heard that as “Cadillacs, Lincolns too, Mercurys, and a Subaru”, but maybe that was just my brain automagically redpenning an ungrammatical lyric.
What’s driving me nuts is that I could swear Blondie guest starred on The Muppet Show (popular around that time) and did a fantastic rendition of Rapture replete with muppets and a man from mars and actual cars, but I’ve never been able to find it since seeing it when I was about seven.
I also like Blondie. They are(they are still active) a band that is very talented. In the late 1970’s and early 1980’s it seems like they had their fingers on the pulse of several musical genres and made a success of them. I guess coming from the musical melting pot of NYC, they had a lot of types of music to influence them.
You had the following:
Rapture- Rap
The Tide Is High- Reggae
Call Me – New Wave
Heart Of Glass – Disco
One Way Or Another – Garage Band like
You nailed another reason I love them – they tried all these musical styles (often on the same album – “Autoamerican” is a case in point), and did them well. All great songs you’ve referenced.
My father managed a company where Debbie Harry’s father was the sales manager.
Apparently I met Debbie when I was about 4 years old. So if anyone wants my autograph, let me know! 🙂
I was in the middle of my freshman yr. @ college in Boston when this was a hit. Blondie made one more album after this & broke up around 1982 until they got back together in 1999. They were the most commercially successful of the CBGB’s bands, which was ironic since when they first played,they were considered a joke band.
Blondie was pretty great. I’m listening to my favorite song of theirs as I type this – “Atomic”.
Great song. I remember being mystified at first by the ‘rap’ section (rap wasn’t a thing yet, for me anyway), but it became my favourite part of the song. I’d just started work in an architectural office at the time, and late nights were common. When this came on, the radio was always cranked. ‘And now he only eats guitars….bwaaaaa’ 🙂
As for the Martian’s taste in cars, like many newcomers to America it sounds like he was obsessed with junk food. But he kind of liked sushi too.
Two words – ‘Parallel Lines’. One of the finest records of the 70’s.
depending where upon the ground the martian landed, it may have found earths ingest-ables more flavorful had it had the opportunity to feast on a Nissan S-Cargo followed by a Suzuki Cappuchino.
A few of you mentioned “Atomic” as a favorite (also one of mine), so I have to tell this story…
Not quite fifteen years ago, one of my brothers lived in the East Village in NYC, not far from Houston (“house-ton”). There was this cool, kind-of-divey Irish bar there called the Baggot Inn (gone for almost a decade) on the lower level of a four-story. He and I went day-drinking there after sightseeing and I had a few extra bucks, so I put them in the jukebox. The Blondie selection I thought I had entered was “Rip Her To Shreds”, a hilariously dark song that kind of fit the mood of the bar that day.
Instead of that song, though, I must have pressed the wrong button, as the disco/new wave beat of “Atomic” started playing.
Everybody in the bar simultaneously *groaned*, including my brother. “Joe, I’m going outside to smoke,” he said, as he put a coaster over his beer, looked around the bar while pointing at me (? LOL), and headed toward the stairs up to the sidewalk. To this day, “Atomic” reminds me of that instance of jukebox-disgust, and of the importance of:
a.) Making sure you hit the correct musical selection; and
b.) Making sure you hit the *right* musical selection for the mood of the venue.
I can’t believe there’s over 40 comments, yet no one has mentioned the controversy over the phrase “And it’s finger popping” (yeah, right, but it sure sounds a LOT like “finger [CENSORED]”) in the lead-in to the rap sequence…
What LOL? Finger poppin’ in urban slang means the exact same thing. I thought that was apparent (or I’m a garbage person). That term seems to have fell out of favor once Ludacris came out with the song P-Poppin 15 odd years ago, however…
“Finger Popping Time” was a huge hit around 1960 for Hank Ballard and the Midnighters; by the time I started hearing pop radio around 1963, it was still getting lots of airplay. I always assumed the Blondie lyrics were a reference to that song.
I loved DH’s music either with Blondie or by herself (with her solo album “koo-koo”.) I loved “French Kissin'” and “Rockbird”. but I wouldn’t kick out her work with Blondie, —its why I’ve a best of Blondie CD as well.
As for the Man from Mars eating cars and not eating Mopars,, I guess that Chrysler just doesn’t sit well after eatin’ GM and Ford. Perhaps maybe Peugeots, Nissan too, Triumphs and Mazda 2’s!
“Backfired” from “Koo-Koo” is still my jam. And I like your rhymes! I actually have been to that HoJo’s they “ran down to” for “hamburgers to go” in Times Square – another landmark long gone.
As for his aversion to Mopars, maybe the Man from Mars just couldn’t handle the deliciousness that was the Dodge Mirada / 2nd-generation Cordoba (favorites of mine).
I never really cared for `em. At about this time right before the MTV era, rock was really on the downslide. I stopped listening to it, and switched to talk radio. But I still DO like pre MTV “AOR”-album oriented rock. The Who, Doobie Bros, Grateful Dead,Jethro Tull, Doors, Bob Seger, Zappa, Grand Funk,Hendrix,Chicago,ELP , Bowie,Creedence Clearwater, Led Zeppelin,etc, etc.
By the early ’70’s, my high-school years, there was enough radio station specialization with the growth of FM, at least in my area, that one could end up pretty limited exposure to certain music genres. In the sixties, we would hear Frank Sinatra and the Kinks on the same AM station. Five years later, I could listen to what I thought was an eclectic mix of Taj Mahal, Man, Neil Young, Little Feat and Debbie Harry on the same FM rock station, but I never heard of rap until this song. Never heard or even heard of the Sugar Hill Gang. Finally, I can’t let this topic pass without a mention of Bruce Springsteen’s Pink Cadillac, with its Subaru reference, just a few years later.
Oh, yeah, I most certainly recall Blondie’s Rapture, and the man from Mars, eatin’ cars. I also remember Sugarhill Gang’s Rapper’s Delight. It’s kinda wild to learn on a car site that Deborah Harry is now 72.
You know, as car nuts, I’d guess most of us have also been very much into music, in as much as cars have had radios, cassette decks, 8-track placers and far more music options today. I can appreciate some rap, some country, some classical, some jazz, classic R&B and soul, and much of the oldies rock music. And, even a small amount of the rock and pop music of the past 15-20 years.
I was a Blondie fan, but I hated “Rapture” when it first came out; however, it grew on me and when the Acura “Drive Like a Boss” commercial aired a couple of years ago, I would annoy the Hell out of the kids by rapping along with the actress and finishing up the song after the program started up again.
Really enjoyable article Joseph. Thank you. Your combined automotive and music knowledge (and tastes) greatly enriches Paul’s site.
Always fun where a song or video inspires another musician’s music or videos.
Watch the woman dancing in Harry’s video, on the left, at the start of this clip…
https://youtu.be/pHCdS7O248g?t=219
Now, check out Paul Young’s ‘Come Back and Stay’ from 1983… See his singers… God knows when that dance move got started. lol
https://youtu.be/Yete0n6TLug?t=58