Curbside Classic: 1965 Ford Mustang 2+2 – The Show Pony

And just like that, it’s ‘60s Coupé Week in Tokyo, by T87 decree. Tyrannical, isn’t it? Well, I do have a few choice two-doors to share with the CCommunity – quite a bunch, in fact. Classic car owners here tend to appreciate that body style, it seems. Don’t we all? Hopefully, the same agreement can be reached about the 1965 Mustang Fastback.

I’ll just come right out and say it: as far as I’m concerned, this is the best-looking Ford Mustang ever made. Yes, I’m a sucker for controversy, unpopularity and all manner of contrarian opinions.

Not that one could call any 1965 Mustang unattractive. The hardtop is a model of design balance. An instant classic. The drop-top is glamorous and exciting – it actually works and looks organic, not like a mere roof-chopping job. But that Fastback is almost in a league of its own.

This is the best angle, in my eyes, to analyse the ’65 Fastback. The way they devised that roofline is nothing short of spectacular – and surprisingly complex, too. There’s not a straight line on that greenhouse, essentially. The backlight is gently curved, following the flow of the tapering C-pillar. Genius. And those vents on said C-pillar are perfect (and functional!) as well.

The Mustang hardtop and convertible were launched simultaneously in April 1964, but the Fastback was a surprise latecomer, only joining the range in August. It was a great PR move to keep the Mustang in the news with new variants. However, the claim that the Fastback had been inspired by the new Ford GT40 was a rather questionable one. The timeline just doesn’t add up.

Let’s rewind to the very birth of the Mustang, in 1962. Ford decided to use the Falcon platform to devise a sporty coupe. Already at that point, the notion of a fastback design was in the air: the Allegro show car (top picture), which sort of announced the Mustang, was among them. Most clay models of the period were notchbacks, though – apart from the (rather heavy-looking) proposal from the Lincoln-Mercury studio (bottom picture). By the end of 1962, the Mustang’s styling coalesced towards the hardtop coupé we all know, but the Ford designers, especially Joe Oros, pushed for a fastback version.

Gale Halderman, who had designed the Mustang hardtop, worked with Joe Oros in secret on the Fastback project. A full-length fastback roof was mooted, as was a short wheelbase version, but in the end (and according to Halderman, at Oros’ insistence), the roofline was made shorter. It seems the notion of a cleft backlight was given so thought, too. A little C2 Corvette influence?

Finalized and painted red, the fiberglass prototype was presented to Lee Iacocca in April 1963. It was greeted by an enthusiastic “Yes!” – if the Mustang was to be a sporty car, it needed to look like one. And this looked a lot sportier than the other variants.

What it did not look like was a Ford GT40, because the GT40 was not yet in gestation. In April 1963, Ford were trying to buy Ferrari. Said negotiations famously broke down at the last minute as Enzo Ferrari decided to walk away from the deal, leading Henry Ford II to retaliate with the GT40 program in June ‘63. But that all came after the Mustang Fastback was greenlit.

As far as engine options were concerned, the Fastback was available with the same choices, i.e. the 120hp 200ci/3.3 litre 6-cyl. and the 289ci/4.7 litre V8, available in either standard (200hp), GT (225hp) or high-performance GT (271hp) grade. Three or four-speed manuals were fitted, or the 3-speed Cruise-o-matic. Front disc brakes could be ordered for V8-powered cars.

Our feature ‘Stang has the “289” scripts on its fenders, but lacks the “GT” ones, so we can deduce it must have the 200hp motor (or the 225hp, which was optional sans GT spec). Given how twitchy these Mustangs are on imperfect, twisty or wet roads, I should think that would be plenty.

Transmission-wise, I think I’m spying the top of a T-handle here, so we’ve got an automatic. Might as well, though that sort of flies in the face of most people’s definition of a sports car. That’s ok though, as the Mustang isn’t a sports car. It’s a coupe that can be optioned to become a sporty car. Big difference. If you want a sports car, go see if you can afford a Shelby.

There’s another plus point: much as I love the 1965-66 Fastback’s looks, the wrong colour can ruin the best of designs. Red would have been fine, I suppose – but what a cliché. White is a personal no-no and black, while attractive on many cars, is a little boring on these. But you know what shade I usually don’t like yet works surprisingly well on this Mustang? Silver. Not a very common colour on Mustangs, in my experience, but it really works.

I imagine some of you may know these things by heart, but I never thought of looking up the Mustang’s production numbers for MY 1965 until today. The long and short of it is that the Fastback 2+2 tallied about 77,000 units. That’s a little better than the convertible (73k), but well below the hardtop (over 400k). It makes sense that the hardtop would win out, but I never figured it had been so dominant.

So it’s an underdog, on top of everything else? My, this Fastback is really the pony that keeps on giving. Don’t look at one of those in the mouth. The profile is so much better.

 

Related posts:

 

Cohort Capsule: 1965 Ford Mustang 2+2 Fastback – A Stallion Instead Of A Gelding, by PN

CC Travelogue: 1965 Ford Mustang 2+2 Fastback – Detroit’s Finest, by Joseph Dennis

COAL: 1965 Ford Mustang 2+2 – Glorious Misery From The Back Seat

COAL: 1965 Ford Mustang 2+2 part 2, The View From the Driver’s Seat, by Dutch 1960