Curbside Classic: 1965-67 Toyota Crown – Early Toyota Luxury

Let’s look at this unlikely survivor I recently found in an old San Salvador neighborhood. A ’65-’67 Crown; Toyota’s top offering at the time in the passenger car segment. Coming from a Japan still trying to gain cred in the world, the Crown arrived as an enticing if yet unknown quantity. A low-cost luxury offering, carrying the qualities for which Toyota would become known; care of assembly, and good value for the money. But showing up in a period where both the model and its parent company had yet much to prove.

Time would show that the company’s international fortunes were to be found mostly elsewhere. Regardless, the vehicle was a solid offering and deservedly wore the Crown moniker as the company’s top model. After all, it embodied the best efforts Toyota could muster at the time, and it laid the foundations for the company’s future upscale ambitions.

Today’s find belongs to the Crown’s second generation, launched in the Japanese market in 1962. With this model, Toyota would re-enter the US-sedan market and reach Europe, the latter in ’63. Additionally, it would help Toyota in gaining a bigger foothold across Latin America and Southeast Asia.

So the Crown may not be quite the international landmark later Coronas and Corollas were, but it still was a significant development in the carmaker’s trajectory. And an overall success that is still in production to this day.

Upon arrival, the ’62-’67 Crown marked a significant improvement over its previous generation. The updated boxy body looked far trendier, possessing elegantly subdued lines embued with somewhat Italianate cues. It was a distant cry from the dated first-generation.

Admittedly, not an outstandingly distinctive shape, but a tasteful in-house design that showed the growth of Toyota’s stylists. Partly the result of efforts started in 1958 when a number of the company’s designers were sent abroad to study the trade. It’s a chapter already covered at CC, quite comprehensively by Don Andreina on his Crown entry.

On the technical front, there were many significant updates. Great effort was made to create a quiet cabin with a new X-frame, with all drivetrain pieces elastically supported to reduce vibrations. The new frame also provided a lower center of gravity, aiding handling and performance.

At launch, the model carried the R-Series 1.9L inline-4, with 2L and 2.3L sixes becoming available in 1965. Shifting was via a column-mounted 3-speed manual or a Toyoglide automatic.

The Japanese marketplace was still somewhat iffy in regard to the purchasing power of their middle class. So to aid the market case for the likes of the Crown, makes like Toyota and Nissan (with the Cedric), catered to private and fleet sales.

As such, private buyers could purchase their Crowns in Deluxe and Super Deluxe states of trim and tune. Ten additional HP were available on those models, and they also differed in a rear suspension provided by trailing links and coil springs.

Meanwhile, the rear suspension on the Standard and commercial lines was via rigid axles and leaf springs. A sturdier and better setup for Japan’s inner cities and the hardworking demands of the segment. It was the Masterline, and besides the obligatory taxis, it included a utility wagon and a pickup.

(A larger and more luxurious Crown Eight with a 2.6L V8 also appeared. Also covered in Don’s post).

When these Crowns arrived in Latin America they encountered the same doubts they had in Europe and the US. They were pricier than a low-cost car, but lacked the cachet of a real luxury brand; yet offered much for the money. Would buyers take to them?

As a previous entry on a period US review summarized: “Part of the challenge the Crown would face was exemplified by Road Test attempting to define the competitive set for the car. Should it be viewed as an alternative to smaller, more expensive imports like Mercedes-Benz or Volvo? Or was the Crown an Asian alternative to compact domestics like the Rambler American? Road Test couldn’t quite pinpoint it, and neither could potential buyers.”

Understandably, the Crown didn’t set sales records in the US or Europe. Toyota’s future in those regions would ride in a middle-class-oriented vehicle that was to appear in ’64; the T40 Corona.

Unlike the US and Europe, Toyota as a brand may have lacked cachet in Latin America, but it was certainly a value product. With the car-owning public being a relatively small segment then, buyers were more receptive to Toyota’s new proposal.

It also helped that while in the US the car was a “large-compact” difficult to define, elsewhere it was a proper mid-size/full-size vehicle.

Maybe not quite fit for a king, (Hey, we have no monarchy!), but sufficiently upscale.

Toyota tip #1: The logo in the center grille is original, while the CROWN badge on the hood belongs to a later model.

 

So for all purposes, the Crown did find a distinct audience in the region. And as it gained acceptance the model duly trained buyers to accept Toyota’s in-house Sloan ladder. By the late ’60s, the locals truly knew how to ascend in the Toyota world. Buy a Publica, rise to a Corolla, move to a Corona, and crown yourself with a Crown.

(Toyota tip #2: All model names –except the Publica– are variations of the word ‘crown’.)

So a good segment of Latin drivers responded to these Crowns. As I recall, the model was not rare around the streets of San Salvador in the ’70s, though understandably, nowhere as common as Coronas or Corollas.

That said, no one thought of them as being in the same league as a Mercedes or BMW (Or fit for kings). Still, people knew the cars denoted Toyota nobility. Vehicles owned by upper-middle-class families, with professionals living in new suburban neighborhoods. A similar fate would await the nameplate in other regions around the globe.

Window sticker reads “Crown Fest 2017”. Looks like this old Crown could still run, up to that date.

 

Much is said about early Japanese cars being derivative in styling and execution, and I would be hard-pressed to make the opposite case with this Crown. But I would add it all comes with the context of the times and Japan’s particular history. For one, with an industry developed mostly in the ’50s, they had the advantage to pick and choose from technologies tried and tested elsewhere.

It more or less makes sense their vehicles would embody traits familiar to Americans and Europeans; all while being neither. A mix of the best (to Japanese makers’ needs) of all that was available out there. Clearly the results varied from maker to maker, as each vied for a unique angle with their products.

The tail lights tell this is a ’65-’67 model.

 

Styling-wise, the Japanese were certainly clunky and cartoonish early on, as beginners can only be. However, as their styling houses grew in capacity their products were often seen as derivate. Which they are, to a degree.

Then again, the native Japanese aesthetic is either too busy and fuzzy (or overtly spartan), to Western eyes. And lacking the captive colonial markets that the UK or France had, or the global footprint of the Big 3, Japanese cars were designed to please. They had to be. Their survival depended on products that had to be attractive, yet familiar, and not too adventurous.

(If the Japanese were given free rein, I think Mitsuokas is what they would come up with).

Don’t get me wrong. I do find this early Crown sufficiently appealing, and I feel it accomplishes its mission of understated elegance quite well. Also, I truly enjoy some of the car’s details, like the latticed work on the grille.

So today’s find is part of an early chapter in Toyota’s history when the company was testing and trying different strategies around the world. With their products finding varying degrees of success –or failure– in each market.

And this lonely old Crown is a leftover from those days. A silent remnant sitting in a gone-to-ruin upscale neighborhood in downtown San Salvador. And to think the car itself probably belonged to some family of this area, back in the day when both were in their splendor.

Of course, upscale and upper-class San Salvador families have moved away from the old downtown. Mostly to pricey townhouses on the city’s outskirts, with driveways stuffed with Cayennes, Audis and… Toyotas Lexuses.

 

Related CC reading:

Curbside Classic: 1962-67 S40 Toyota Crown – The Generation Gap

Vintage Review: 1965 – 1970 Toyota Crown – “You Can’t Always Get The Gold”