Vintage Car And Driver’s New Cars For ’71 Issue: AMC Javelin, Oldsmobile Toronado, Plymouth Road Runner – Early Impressions and Wrong Signals, Part 2

Some time ago we featured the first half of Car And Driver’s New Cars of ’71 issue. As mentioned in that installment, much was changing in the automotive world as the decade was starting, and there was much talk about how the Big Three were ready to face those challenges. Imports were rising, and Detroit’s compacts were the ‘in’ thing, with vehicles like the Vega and Pinto gathering much coverage.

However, other than for some examples in the compact segment, the tradition of “bigger is better” and “more is more” was well and alive in Detroit. As such, Car and Driver felt that their newfound fondness for economy cars was far from a serious commitment. A point of view hard to dispute with their coverage of the new for ’71 Javelin, Toronado and Road Runner. Each larger and heavier than the models they replaced (The new Toronado being the main offender in those regards from this group).

AMX Javelin

Car and Driver was well aware that AMC was too cash-strapped to do any extensive retooling with their cars. As such, they knew that styling had become the company’s way to show that it was an “intrepid builder of clever, out-of-the-ordinary cars.” That said, reviewers were not fond of the new Javelin and found its styling overwrought, feeling that the company was “trying too hard to be hip.”

Besides the frowned-upon styling, there were other unwelcomed news in the world of AMC’s sporty cars. The 2-seat AMX had ceased to be and the name was now just a Javelin trim. As such, the new 4-seat AMX consisted of aerodynamic add-ons with a flush grille and a special fiberglass hood. More upgrades appeared in the car’s interior, with a serious-looking engine-turned metal piece covering the instrument panel.

Under driving, reviewers felt the new AMX “falls far short, in performance, of its Z/28 Camaro and Firebird Trans Am competitors. The new 401 cubic inch engine, essentially a stroked 390, produces a modest amount of energy of its size at low speeds but dies of over-exertion above 5000 rpm. Nor is the car’s handling inspired…”

Regardless, the magazine knew the Javelin had its unconditional fans, and admitted it was a car of “…undeniable appeal. Those whose lives are committed to defending underdogs will embrace it like no other.”

 

Oldsmobile Toronado

With Car And Driver being an enthusiast magazine, it’s no surprise that the Toronado’s Broughamier second generation didn’t get much love. If any. With one look, one could tell that the sporty aspirations behind the original ’66 model belonged to the past. “We get the idea that Oldsmobile doesn’t know quite what went wrong but the new Toronado is the final step in… getting back into the luxury trade where it figures it belongs.”

Larger in every dimension, the new car shared more parts with the rest of Oldsmobile’s cars. “For 1971, (the Toronado) will be built on a full frame, rather than with a front stub as before, and the chassis is virtually identical to that of the 88. The leaf spring rear suspension is gone, replaced by the same 4-link arrangement used in other big cars.”

Under driving, the car “has a clear aptitude for imitating the behavior as well as the appearance of a Lincoln Continental. It floats over humps and bumps with well near zero discomfort, always speaks with a soft voice and only when spoken to. It is the very model of a modern transit capsule.”

Besides their disappointment with the Toronado’s new mission, the magazine also wondered if the model was just redundant in a market overcrowded with similar offerings. On this, they were partly wrong. The new Toronado outsold its previous generation by a decent margin, although not in enough numbers to worry the likes of Continentals and ElDorados.

 

Plymouth Road Runner

The Plymouth Road Runner was the last new car to be covered in the issue. Unlike the others, there isn’t much commentary on the car’s driving or accommodations, and seems like there wasn’t any time spent road-testing it. Instead, there’s quite a bit of talk about the car’s styling. Which in reality was the main reason for their being.

“What we’re telling you is that the Road Runner and the other intermediate Plymouths are all new. Well, they aren’t all that new but the part you see is. Underneath they’re pretty much the same… with strategic improvements…”

Those improvements included standard engines with lower compression able to work with 91-octane fuel. Also, more sound deadening in the car’s unibody to provide quieter cabins. Plus many corporate assurances of a newfound devotion to quality control.

Those updates aside, most of the text explores Plymouth’s reasoning behind their plan for unique bodies in their intermediates;

” … (the) logic is two separate lines of Plymouth intermediates — Satellites (4-doors) and Sebrings (2-door hardtops)… each has a unique skin, right down to the bumpers so each looks entirely different… Plymouth readily admits that two suits of sheetmetal cost more than one and since they will be selling new hardtops for about the same increment over the sedans as they did before, there will be a squeeze on the per-car profit.”

It was clear that after a cautious decade, Chrysler’s products were investing heavily in styling as their selling card. At least in the case of the 2-doors, Car and Driver felt Plymouth’s stylist had hit the mark, and ‘outdid themselves.’ However, they had doubts whether the investment would pan out in the long run.

In that regard, not counting wagons, sales of Plymouth’s intermediates fell by about 14K units for 1971.

 

Related CC reading:

Vintage Car And Driver’s 1971 New Car Issue: Chevrolet Impala, Mustang Mach I, Mercury Comet – Early Impresions and Wrong Signals

Car Show Classic: 1972 AMC Javelin Pierre Cardin – No, Really…

Curbside Classic: 1972 Oldsmobile Toronado – Reading The Tea Leaves Near Stage Left

Curbside Classic: 1971 Plymouth Satellite Sebring Plus – Chrysler Jumps The Shark (Again) With A Tip Of The Hat To Virgil Exner and Marcello Gandini

Curbside Classic: 1971 Plymouth Satellite – Who Says There Aren’t Second Chances?